François Pelou e Oriana Fallaci walk around the streets of Saigon and go into a nightspot where the soldiers spend time with Vietnamese girls. The next day they get some instructions from the military for staying healthy and safe during their stay.

Welcome to Saigon! Oriana goes to the press office and meets François Pelou, a war correspondent from France. There is a crisis going on and together, they attempt to head it off.

Oriana writes about the conditions of Muslim women in Islamic countries. In 1967, she goes to South Vietnam, a country being torn apart by war.

Oriana has to argue with her boss to be able to go around the world interviewing women. In 1961, she manages to fly to Pakistan but is frustrated by how hard it is to even talk to another woman.

Lisa's goal in meeting with Oriana is an interview, which Oriana clearly does not want to give. But she tells about when she was a ruthless interviewer herself, in both Italy and the U.S.

Oriana Fallaci was a famous journalist, writer, and activist. This biopic starring Vittoria Puccini recounts some aspects and episodes of her multi-faceted life. See the trailer here, or, if you're not yet a Yabla subscriber, see it on YouTube.

Ennio Morricone talks about what it means to be a composer and Nicola Piovani talks about the music he composed for Ennio Morricone's birthday celebrations in his later years.

Normally, someone else writes your obituary when you die, but Ennio Morricone wrote his own! His attorney was authorized to read it aloud in public, and here it is.

Ennio Morricone was best known for his unforgettable movie soundtracks. In fact his music was featured in over sixty prize-winning films.

Marino meets Silvana and they start chatting by the sea. They discover that their professions are related (naturopathy and body-psychotherapy) and they enjoy sharing ways of looking at emotions and symbols.

Adriano has to go back to Ivrea because of a death in the family, and that's where this first episode leaves us. It is interesting to note all the kinds of professionals who contributed to producing this biopic.

Adriano and Grazia start seeing each other romantically, but her parents do not approve because of the age difference and because Adriano is still a married man.

Adriano tells Grazia his ideas for a new kind of city. Back at the factory, cuts are being made, and there is talk of layoffs. We also discover an ironic fact about Adriano.

As luck would have it, Adriano has a chance encounter with a young woman who has a problem he is uniquely capable of solving. Teresa and her daughter Maria have an unexpected caller.

Even though he is no longer leading the company, Adriano is as active as ever. Events come together that motivate him to put his theories into practice.