The dialogue between Pisanelli and Brother Leonardo alternates between irony and concern: while Giorgio is obsessed with finding a serial killer, the friar invites him to look within himself and take care of himself. Lara's death becomes the symbol of a deeper evil, made of loneliness and selfishness.

During the rehearsal in the hall, tensions emerge between some members of the orchestra. Domenico misunderstands the relationship between Sara and Matteo, while the rehearsal continues amid errors, nervousness and arguments between the musicians. The maestro, focused on the music, ignores the chaos that builds around him.

Camilla had clearly forgotten about Livietta's judo match, and gets a text message from Renzo urging her to hurry there. Luckily she arrives there in time to see her daughter compete.

Nazar Petrovic, suspected of Lara's murder, is interrogated in the patrol car by agents Lojacono and Romano. The man denies any culpability, tells his story, and provides an alibi that sounds weak. The agents let him go, but Petrovic remains under police surveillance.

Maestro Marioni is back at the conservatory, ready to rehearse for the upcoming concert. Sara has had a change of heart about participating and talks to Marioni about it. She then sings a song (in English), venting her frustration. The song is actually "Wrecking Ball," made famous by Miley Cyrus. We've translated the Italian subtitles, but you can find the original English lyrics here.

Ventruti recounts that at a certain point, Flora had lost her sunny outlook. He also mentions the name of a man with a criminal record. Meanwhile, at school, a student protest breaks out against a dress code, which leads to the granting of an assembly to discuss it.

Lojacono says goodbye to his daughter at the ferry when he gets a phone call from Laura. Later, he and Romano check out The Blue Moon, where Nazar Petrovic works as a bouncer. They convince him to answer some questions at the police car. Petrovic is worried about losing his job.

During the meeting with his mother, Rosario discovers that she wants to move to Florence and come back to live with him. The news upsets him, because he has been living with his foster family for a long time and fears that this sudden change could turn his life upside down.

When Gaetano realizes that the briefcase found by Anna and Camilla has mysteriously disappeared, the commissioner becomes furiously angry. During the investigation, it emerges from Mr. Ventruti that Quantunque knew Flora and was protecting her.

At the police station, lawyer Nubila shows up to offer his financial support for Lara's daughter's medical care, declaring that he has no financial difficulties. During the meeting, he receives a phone call from his wife, who asks for updates on Lara's husband, currently among the main suspects.

An everyday conversation brings to light small obsessions, embarrassments and emotional difficulties. Between jokes about recycling and seemingly insignificant gestures, deeper tensions emerge: the struggle to ask for help, the need for connection and a subtle loneliness.

Gaetano and Roberta go through a story made of everyday life and tension, in which arguments and reconciliations follow one another. Meanwhile Camilla discusses with Anna the suspicion that Quantunque might be involved in shady business.

The investigation into Lara's death continues, while the police conclude the interrogation of the suspect. Meanwhile Aragona, in order to go out with Irina, promises her that he will find the culprit.

Rosario and his mother share a secret and touching moment in the school that the boy attends, between music and complicity. At Matteo's house, instead, tensions emerge between uncle and nephew, fueled by emotional conflicts and misunderstandings.

Camilla needs to speak to Anna and phones her, only to find out that Anna had just forced the briefcase open at Quantuque's place. Meanwhile, the investigators interrogate a witness who points to a possible suspect.