After a long work day, everyone on the team goes home to a different situation, and it isn't always a happy one.

Imma can't help herself and goes to the office. Diana gives her some important information to mull over. The young people are having a little party for Calogiuri who is leaving for his exam in Rome the next day.

Camilla might have had a good hunch, but she is still in trouble up to her neck. Fortunately, she has a lot of support from her husband, her students, and her friend the cop.

Giuseppe's health is failing, but he won't accept Arcangelo and Nina's advice to get some rest. He seems to be well aware of his true condition and writes a letter to his loved ones. Elena brings Antonio home.

Young Michele thus enters into the service of Cardinal Francesco Maria del Monte, man of culture and art connoisseur. All he has to do is what he does best: paint.

Roberto is worried about how Ugo is acting. Manrico is trying to get Melody to go out with him. The bride-to-be shows up at the workshop with her girlfriends who want to plan a bachelorette party for her.

Amed predicts Luigi's future, and Luigi has some visions. This segment reveals the meaning of the title of the show.

Dottoressa Piras and Lojacono continue their conversation in the car in front of Lojacono's building. They address some serious topics that have nothing to do with the case they have just solved.

Penelope gets some news she shares with Valentina. Imma is upset about Calogiuri's leaving, but throws herself into her work, confronting Bruno's son about his project in Vallone della Femmina.

Camilla is in big trouble having been investigated for murder but at least she has Berardi on her side. She goes to pick Livietta up at dance class.

Even though Giuseppe's health is failing, he goes to see the needy in the poorest sections of Naples. Even when he gets home for dinner, the patients keep coming. He doesn't turn them away.

We learn of the death of Francesco Cenci from a conversation between the Cardinal and one of his guests. Michele arrives too, at a reception, where his latest painting is on display. He makes an impression as someone who speaks his mind.

Ugo is pretending to be relaxed and busy cooking, singing an aria from Verdi's Otello under his breath as he cooks. Nora is getting all gussied up for her date.

Luigi talks about getting old. Marcello talks about missing his restaurant and the work he loves.

Imma interviews Giulio Bruno, the son of the murdered architect, Domenico. Giulio seems forthcoming about what happened with his uncle in Argentina.