Michele goes back to the tavern Ranuccio and Fillide frequent. He challenges Ranuccio.

Giorgio is on his way home, but changes his mind and goes to Piazza del Gesù.

Some papers were found at Steve Colato's place and so he is back at police headquarters being questioned again. The police find out more details connected to the case and about the fifty thousand euros.

Lojacono hasn't seen his daughter in a year, and would like to catch up. She has something to tell him, but doesn't say a whole lot more. Meanwhile, another crime has been committed in the city.

Imma interviews Giulio Bruno, the son of the murdered architect, Domenico. Giulio seems forthcoming about what happened with his uncle in Argentina.

Luigi talks about getting old. Marcello talks about missing his restaurant and the work he loves.

Ugo is pretending to be relaxed and busy cooking, singing an aria from Verdi's Otello under his breath as he cooks. Nora is getting all gussied up for her date.

We learn of the death of Francesco Cenci from a conversation between the Cardinal and one of his guests. Michele arrives too, at a reception, where his latest painting is on display. He makes an impression as someone who speaks his mind.

Even though Giuseppe's health is failing, he goes to see the needy in the poorest sections of Naples. Even when he gets home for dinner, the patients keep coming. He doesn't turn them away.

Camilla is in big trouble having been investigated for murder but at least she has Berardi on her side. She goes to pick Livietta up at dance class.

Penelope gets some news she shares with Valentina. Imma is upset about Calogiuri's leaving, but throws herself into her work, confronting Bruno's son about his project in Vallone della Femmina.

Dottoressa Piras and Lojacono continue their conversation in the car in front of Lojacono's building. They address some serious topics that have nothing to do with the case they have just solved.

Amed predicts Luigi's future, and Luigi has some visions. This segment reveals the meaning of the title of the show.

Roberto is worried about how Ugo is acting. Manrico is trying to get Melody to go out with him. The bride-to-be shows up at the workshop with her girlfriends who want to plan a bachelorette party for her.

Young Michele thus enters into the service of Cardinal Francesco Maria del Monte, man of culture and art connoisseur. All he has to do is what he does best: paint.