Lojacono and Romano interrogate Senatore, trying to verify the solidity of his alibi, while the investigation is practically at a standstill, with little to go on. As Lojacono is making his morning coffee, he gets a disturbing phone call from his ex-wife, Sonia.

Matteo gets home and walks in on his uncle and Daniele, the neighbor. After Daniele leaves, Matteo talks to his uncle about his personal problems, wondering why he is behaving so badly.

Camilla encourages Renzo, telling him that he will make an excellent impression with Roberta's parents, who seem very demanding, and confirms her confidence in the quality of the project he will present. Gaetano and Roberta also face doubts and small insecurities, showing the need to receive mutual reassurances.

A quiet evening among friends at Senatore's house is interrupted by the sudden arrival of the police. Inspector Giuseppe Lojacono continues the investigation into Lara's mysterious life: during the interrogation of her employer, contradictions and details about the woman's past emerge.

Rosario claims he no longer worries about the consequences of his actions, because he will have to leave Milan anyway. Meanwhile, Domenico and Matteo clash harshly, calling their friendship into question amid accusations and betrayals. Sara is forced to confront a difficult reality, understanding that she must grow up quickly and put her emotional strength to the test.

After the match, Renzo, Camilla, and Gaetano try to encourage sportsmanship between Livietta and Nino. Gaetano introduces Roberta to Renzo, alluding to a possible collaboration between Roberta's parents and Renzo. The tension is palpable.

The dialogue between Pisanelli and Brother Leonardo alternates between irony and concern: while Giorgio is obsessed with finding a serial killer, the friar invites him to look within himself and take care of himself. Lara's death becomes the symbol of a deeper evil, made of loneliness and selfishness.

During the rehearsal in the hall, tensions emerge between some members of the orchestra. Domenico misunderstands the relationship between Sara and Matteo, while the rehearsal continues amid errors, nervousness and arguments between the musicians. The maestro, focused on the music, ignores the chaos that builds around him.

Camilla had clearly forgotten about Livietta's judo match, and gets a text message from Renzo urging her to hurry there. Luckily she arrives there in time to see her daughter compete.

Nazar Petrovic, suspected of Lara's murder, is interrogated in the patrol car by agents Lojacono and Romano. The man denies any culpability, tells his story, and provides an alibi that sounds weak. The agents let him go, but Petrovic remains under police surveillance.

Maestro Marioni is back at the conservatory, ready to rehearse for the upcoming concert. Sara has had a change of heart about participating and talks to Marioni about it. She then sings a song (in English), venting her frustration. The song is actually "Wrecking Ball," made famous by Miley Cyrus. We've translated the Italian subtitles, but you can find the original English lyrics here.

Ventruti recounts that at a certain point, Flora had lost her sunny outlook. He also mentions the name of a man with a criminal record. Meanwhile, at school, a student protest breaks out against a dress code, which leads to the granting of an assembly to discuss it.

Lojacono says goodbye to his daughter at the ferry when he gets a phone call from Laura. Later, he and Romano check out The Blue Moon, where Nazar Petrovic works as a bouncer. They convince him to answer some questions at the police car. Petrovic is worried about losing his job.

During the meeting with his mother, Rosario discovers that she wants to move to Florence and come back to live with him. The news upsets him, because he has been living with his foster family for a long time and fears that this sudden change could turn his life upside down.

When Gaetano realizes that the briefcase found by Anna and Camilla has mysteriously disappeared, the commissioner becomes furiously angry. During the investigation, it emerges from Mr. Ventruti that Quantunque knew Flora and was protecting her.