Once in Rome, Caravaggio looks for work in the studios of 2 Italian painters who were well-known at the time. Nobody seems very interested in his work.

In the piazza, Giuseppe discusses the war with some colleagues. He then runs into an old acquaintance. Later, in the lab, he talks about science and faith with his professor friend.

At Dora's funeral, Psalm 23 is recited. Camilla is there, but not everyone appreciates her presence. Later, Sonia goes over to Gaetano's with some treats, but senses something is wrong.

Imma and Pietro are at a concert of a female saxophone quartet. Calogiuri is studying, but something about the Bruno case comes up.

Romano and Aragona go to talk to Castrovetere, who is in prison, to find out what he might have had to do with the murders. Pisaniello is on the huge escalator down to the metropolitana when he sees people running. He rushes to find out what's going on.

Finally, Ugo gets Nora alone and they are able to talk. Until the talking breaks down, that is. Once again Roberto, their lawyer, finds himself in the middle of things.

Michele goes back home after his mother dies and there, he spends some time with his childhood friend, Costanza Colonna. He tells her about his plans to go to Rome, the artistic center of the universe.

As he had promised Cloe, Giuseppe continues to look for her little boy, with little success. Some children he treats aren't really ill, they're just not getting enough to eat. Italy enters the war. Some doctors go to the front, others stay behind.

Renzo and Camilla discuss this new development. He is very suspicious and worried. Camilla, as usual, wants to handle things on her own. She goes down to police headquarters the next day.

From the phone records, Imma discovers phone calls received by Bruno but the number doesn't seem to exist. Calogiuri indeed gets a phone call from Paolo in Bari.

The team goes to search Capuano's home and then they go to the club to get more information about him. That leads them to a boxing club.

The bride to be comes to the atelier to choose her wedding dress. Nora tries to prevent the others at the workshop from making the same gaffe she did, but they aren't necessarily familiar with the French word. Ugo shows up too, and tries to talk to Nora.

Michele manages to find a home for his painting, and receives something in exchange. Still at Maestro Simone's workshop, he grows up into a man and ends up trying to defend a young apprentice from being abused as he had been.

As her condition worsens, Cloe tells Giuseppe about the child she had abandoned, and makes him promise to find him.

Non è mai troppo tardi (it's never too late) was a huge success, also in many other countries. Along with youngsters who attended school, older folks managed to learn to read and write, and to get their elementary school certificates, thanks to the TV show.