We finally get to producing the fire itself, using tools found in nature. It's not easy at all, but when you finally succeed, it can be pretty exciting and satisfying.

Francesco is in the Province of Avellino and talks to us about one of the Campania Region's most important archaeological sites: the Norman Castle of Avella, destroyed and rebuilt numerous times, but well preserved nonetheless.

The excursion to the Castle of Avella continues and we see the preserved walls of this historic place. Places such as this are common in Campania, thanks to the numerous civilizations that passed through this region in earlier times.

Mothers Day is approaching. Four mothers (including our Marika!) give us their thoughts on what it means to be a mother.

An exclusive interview with the world-famous Italian film director and screenwriter, Federico Fellini.

Fellini, interviewed at the Trevi Fountain, during the filming of La Dolce Vita, discussed his relationships with producers.

Fellini describes his relationship to a producer who became so exasperated by the director, that he drank ink in mock suicide.

Crowds of Romans gather to watch the filming of Anita Ekberg in the Trevi Fountain. Federico Fellini tells of his inspirations for the film La Dolce Vita.

Fellini tells how La Dolce Vita scenes were filmed both on the Via Veneto and on a set reconstructing the famous street in Cinecittà. The director also discusses his being a Capricorn.

Federico Fellini discusses Marcello Mastroianni's role as "everyman" in La Dolce Vita. He encourages viewers to see Mastroianni's "passions, hopes, fears and cowardice, and anguish and sleaziness" as similar to their own.

Fellini is at Cannes for the festival and screening of La Dolce Vita. He tells of his ironic encounters with unusual characters, who complain about the oddity of Fellini's movie characters.

At the Cannes festival, Fellini talks about La Dolce Vita, as does Georges Simenon, president of the jury, who proclaimed its success by standing up and applauding.

Fellini talks about being an artist and about not being afraid to face one's doubts in order to carry out a mission.

Fellini discusses the reception of 8½ in Russia, and his hopes for the film at the 1964 Oscars.

Federico Fellini, having won three Oscars, talks about the Academy Awards and how they represent the goal of every filmmaker both in the U.S. and abroad. He goes on to talk about American cinema as mythical, legendary.