Imma had been dreaming and wakes up to a call from Don Mariano who wants to see her, urgently. But she has another emergency to deal with first.

Plenty of English words have snuck into the Italian vocabulary connected with AI. "Learning" is one of these terms and is a component of various categories of artificial intelligence. Marika explains it.

Reneé Arnoux tries out a Bianchina, and seems to like how it handles on the road. Carmine Sessa tells us a little bit about the history of the car.

Sofia goes up to the roof to practice her cello, but ends up singing a song (in English). When Maestro Marioni gets home from an amorous encounter, he watches a video where Matteo's previous violin teacher introduces him and explains his special situation.

It's fascinating to see where the idea of Tex Willer came from and how it evolved. We get to know the creators, Gianluigi Bonelli and Aurelio Galleppini (pen name Galep).

The friends are getting ready to leave, but it's still summer and someone gets the bright idea of going to the beach in a friend's boat.

Lojacono is on a video call with Marina, his daughter, and her friend Chanel, when he gets a phone call from headquarters and goes to a new crime scene, to see what's what.

Imma appears to be on the psychiatrist's couch, describing a dream, but the situation becomes more and more bizarre and we don't really know what's real and what isn't.

By now, we've all heard about artificial intelligence, but how to talk about it in Italian? Marika tells us what we need to know.

What stands out in this segment is the fact that the Bianchina was the iconic automobile in the beloved 1975 movie, Fantozzi.

Sofia is practicing cello when her brother asks her for a favor. His girlfriend Ilaria comments on Sofia's weight.

What kind of guy was Tex? For the most part, he was tutto d'un pezzo (a straight shooter). But sometimes it would depend on who was writing the story.

The party is over and it is time to clean up and pack up. Cioni seeks out Ilaria to talk about her situation.

In a church basement, a priest leads some young people in singing to celebrate the eighty-first birthday of Mariolina. Caterina goes to find Angela, who is late with the cake.

Pietro goes to his saxophone teacher's house to help her with a technical problem. At home, Imma gets an important phone call that has nothing to do with the case she just solved.