The "Lettera 22" portable typewriter is selling well, although Mauro isn't in complete agreement about the price. Libero and Teresa make some plans, and Mister Dalmasso comes around again.

Two romantic situations. One goes better than expected. The other, a bit less.

Manara talks to two different people who knew the murder victim. One comes to him, and the other tries to run away.

Dubbing has all sorts of uses, but certainly one of the most fascinating ones is making us believe an actor is speaking our language when we go to see a foreign film. Arianna takes us through the basic phases.

We leave the Royal Palace of Caserta and head towards Cilento in Campania where there is a huge Benedictine monastery. When we see the term convento, we might assume it is a convent for nuns, but in Italian, un convento can be a religious community for either monks or nuns (or both).

Daniela introduces relative pronouns il quale, la quale, i quali and le quali (that, who, which) that are a bit tricky to use because they have to agree with the gender and number of the nouns they refer to. We need them when, otherwise, the sentence would be ambiguous.

Anna and Marika show us the ingredients and utensils necessary for making the classic risotto alla milanese (Milanese style rice). The star of the show is the precious zafferano (saffron), whose history Anna tells us about.

Adriano shows Karen Bates around the new building and she writes her report. The new portable typewriter designed by Libero is finally ready.

Eva and her friends decide that they have to teach Biagini a lesson. Eva goes to see Augusto for a few details.

Toscani and Manara are at pretty much of a standstill as far as evidence and witnesses go, but Ada says something that makes Manara want her on the team.

Marika shows us what materials she uses in her small home office. Whether you work or go to school, these terms will come in handy.

Exploring the gardens further, we come upon a grotto, as well as what looks like an ancient Roman site, replete with original statues. It was all part of Vanvitelli's plan.

Daniela introduces the relative pronoun "which." It's handy to know because it doesn't change according to gender or number.

We don't want to give away the ending, so let's just say that Giacomo goes back to the cafe where the redhead works and... who shows up, but Mario.

Teresa goes back to the factory, and finds out she has talent. Karen Bates, the American photographer, comes to visit Adriano, and he sees right away how he can involve her in one of his projects.