The fresco depicting the Last Judgement is almost like a photograph of the Middle Ages. Alberto Angela shows us where the sinners ended up and what happened to them in Hell.

They go to dinner with Francesco and Matì and gently encourage the couple to think hard about what they want. It's natural for memories to come bubbling up from when they were courting.

The best way to get around Lucca is by bike. Arianna rents one and enjoys riding along the amazing walls of the city, still intact after centuries.

This new episode begins with a botched order at the restaurant and a curious conversation between two customers, which Andreina is overhearing, or rather, eavesdropping on.

There are several couples in this segment, in various stages of breaking up. Some, but not all of them are even coming to their senses.

Nino La Martina is questioned by Luca. Toscani and Lara's injuries are being taken care of, but Luca offers to take Lara to the emergency room. She has another suggestion to make.

A student asked Daniela to explain the difference between finché and the adverb fino. In fact, these words are tricky for English speakers to grasp. We're talking about "until" and "as long as," and in questions, "how far" and "how long."

Marika and Daniela continue their conversation about making conversation in Italian. They even talk a little bit about baby talk, Italian style, including the vezzeggiativo (affectionate) form of adjectives.

We're still at the Camposanto in Pisa. Alberto Angela shows us a wonderful fresco of the Last Judgment, and tells us the story of the artist as well as what is depicted.

As we might have imagined, the tensions between the parents have been transferred onto the future bride and groom. Choosing the location, the favors, and the music has become a battle. Who knows if they can get over these hurdles.

In addition to the girls chatting with the chief of police as he has his lunch, there is a moment outside with Dante and Lorenzo.

Guia gives Mara some advice. Meanwhile, there are three very unhappy men in the piazza. Pino finds something he had been looking for and Toni turns out to be pretty mature for his age, at least compared to his dad.

Manara's team goes to the hunters' bar to find Nino La Martina and have some lunch at the same time, perhaps. There was perhaps a bit more action than they were prepared for, but, of course, that goes with the job.

Eva and Lorenzo have a civil conversation at breakfast. Later on, we find the commissioner dining at the restaurant and Gina thinks he might be the mysterious Catullus. The subject gets changed by an important phone call for the commissioner (in French) about counterfeit money from across the French border!

Daniela gives us some more examples of gerunds used in subordinate clauses. Asking ourselves what questions the gerund answers can help us understand its role in a sentence.