Laura and Giuseppe go to question Lara's former employers, who are not very cooperative. The issue of embroidery comes up as Di Nardo and Aragona search the premises.

Marioni has an intimate moment with Irene and lets her know how important she is to him, whispering the lyrics to "Senza fine" by Gino Paoli. At the conservatory, the orchestra is ready to go onstage for the concert, where, presumably, everyone will play from memory. Matteo's uncle and friend are in the audience, but Nathan hasn't invited anyone. Sara is nervous.

Author Valeria Parrella talks about the connection between her novel Almarina and various locations within Naples: Nisida (a volcanic islet that houses a juvenile detention center) and Bagnoli (a seaside neighborhood of Naples). What emerges is the portrait of an intense and contradictory city, marked by working-class identity, the sea, and the reality of juvenile prison.

Marika is back with another guessing game. Objects, colors, professions, and desserts are on the menu.

Gaetano and Torre get called to the scene of another murder. Suspecting that the body is that of Quantunque, Gaetano calls Camilla, who has gone to Anna's restaurant to meet someone identifying himself as Quantunque. Anna turns out the lights at the restaurant and Gaetano turns on the siren of the squad car.

An apparently insignificant detail on the onesie the baby was wearing when found by the dumpster leads Laura to question a version of events related to Lara's death. She and Lojacono go to question Lara's former employers once again.