There is a certain kind of subordinate clause, called a "clause of purpose," that basically answers the question, "to what end?" Italian has a number of conjunctions that can be translated as "so that," and they take the subjunctive in most cases. So this kind of subordinate clause can be tricky.

Don't be scared off by fancy names of clauses and parts of speech. Daniela is just showing us different ways of saying the same thing, but sometimes one way is clearer than the other, especially when the subject changes from main to subordinate clause.

Italian has an amazingly long list of conjunctions or locutions that mean "although," "despite," and similar words. Daniela explains what a concession subordinate clause is and gives us several examples.

Daniela explains further about constructing explicit subordinate clauses and gives some examples to clarify.

To conclude the lesson on concessive subordinate clauses, we look at those constructed using the past participle of a verb or the gerund and introductory locations such as benché (though) and pure (despite), among others.

Daniela talks about two kinds of relative subordinate clauses — restrictive and explanatory — and how we punctuate them differently.

Daniela explains the relative pronouns used in forming a relative subordinate clause. She starts out with the explicit kind.

In this lesson, we look at implicit relative subordinate clauses, and how they are introduced. One of their main characteristics is that they use the infinitive of a verb, rather than a conjugated one.

Daniela tells us about comparatives used in subordinate clauses. There are three kinds: majority, minority, and equality.

In this part of the lesson about subordinate clauses, Daniela talks about analogies or hypothetical situations. The English equivalent would be when we say, "as if..."

The Italian Alps are a pretty spectacular spot to learn the basics of snowboarding. Matteo and his two very capable students show us the ropes.

How Human He Is! is a 2024 biographical film directed by Luca Manfredi, dedicated to the life and career of Paolo Villaggio, portrayed by Genoese actor Enzo Paci. The film chronicles Villaggio's formative years, from his life as an employee in Genoa to his success with the character of Fantozzi, exploring his struggles and the key moments that led him to fame.

Paolo Villaggio's father thinks his son is a slacker and he writes a song about it with his friend. Studying law is not Paolo's favorite activity, so much that he falls asleep during class.

Paolo amuses everyone with his obituaries, except for Maura who would like to make people laugh instead. When he returns home, his parents scold him for how he's behaving at university.

At the end of the party, the girls award the prize for the most handsome boy at the party but also for the ugliest one, which is won by Paolo. Despite this, Maura wants to clarify that the vote was not unanimous.