A quiet evening among friends at Senatore's house is interrupted by the sudden arrival of the police. Inspector Giuseppe Lojacono continues the investigation into Lara's mysterious life: during the interrogation of her employer, contradictions and details about the woman's past emerge.

Lojacono and Romano interrogate Senatore, trying to verify the solidity of his alibi, while the investigation is practically at a standstill, with little to go on. As Lojacono is making his morning coffee, he gets a disturbing phone call from his ex-wife, Sonia.

Palma begins to lose patience with the Pizzofalcone team, frustrated by the absence of concrete evidence and a network of still uncertain suspects. Meanwhile Lojacono confronts his lawyer, bringing to light personal difficulties, financial problems and the weight of a past that continues to haunt him.

An apparently insignificant detail on the onesie the baby was wearing when found by the dumpster leads Laura to question a version of events related to Lara's death. She and Lojacono go to question Lara's former employers once again.

Laura and Giuseppe go to question Lara's former employers, who are not very cooperative. The issue of embroidery comes up as Di Nardo and Aragona search the premises.

Faced with evidence, Mrs. Nubila has no choice but to confess her involvement in Lara's pregnancy, and how she and her husband took advantage of the girl.

Mrs. Nubila calmly recounts what actually happened, while the investigators listen, incredulous and shocked.

During the interrogation of the Nubila couple, the circumstances that led to Lara's death come to light. The investigating team can't understand why the baby would have been abandoned, but that, too, becomes clear. All in all, it's very disturbing to everyone in different ways.

The alternative tourism video starts by showing some of Rome's iconic sites, but will focus on less well-known quarters, such as the Salario-Trieste neighborhood in north Rome.

Rome's Coppedè Quarter is the focus of the segment. Its eclectic style is difficult to characterize, but the narrator talks of the liberty style, which stems from the Liberty department store in London. In English, we know this style by the French term, Art Nouveau.

The segment shows us some interiors in Coppedè's dream-inspired complex.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

We visit the cemetery where the English poets are buried, and learn about the relationship between the Tiber River and the city of Rome.