What kind of guy was Tex? For the most part, he was tutto d'un pezzo (a straight shooter). But sometimes it would depend on who was writing the story.

Sofia is practicing cello when her brother asks her for a favor. His girlfriend Ilaria comments on Sofia's weight.

What stands out in this segment is the fact that the Bianchina was the iconic automobile in the beloved 1975 movie, Fantozzi.

Imma appears to be on the psychiatrist's couch, describing a dream, but the situation becomes more and more bizarre and we don't really know what's real and what isn't.

Lojacono is on a video call with Marina, his daughter, and her friend Chanel, when he gets a phone call from headquarters and goes to a new crime scene, to see what's what.

The friends are getting ready to leave, but it's still summer and someone gets the bright idea of going to the beach in a friend's boat.

It's fascinating to see where the idea of Tex Willer came from and how it evolved. We get to know the creators, Gianluigi Bonelli and Aurelio Galleppini (pen name Galep).

Sofia goes up to the roof to practice her cello, but ends up singing a song (in English). When Maestro Marioni gets home from an amorous encounter, he watches a video where Matteo's previous violin teacher introduces him and explains his special situation.

Reneé Arnoux tries out a Bianchina, and seems to like how it handles on the road. Carmine Sessa tells us a little bit about the history of the car.

Imma had been dreaming and wakes up to a call from Don Mariano who wants to see her, urgently. But she has another emergency to deal with first.

Lojacono and DA Piras arrive at the scene of the crime and meet Don Michele. The next morning Lojacono goes with Di Nardo to talk to the kids who had been in the parish hall with the victim.

The friends are on the boat but they run out of gas. Who had the jerry can? Arguing ensues, but they are at sea...

Gianluigi and Sergio Bonelli both wrote Tex stories, but they had different approaches, and their relationship was complex on a personal level. We learn about what inspired the images of the countryside where Tex and Carson would roam.

Matteo's father and uncle are a bit worried about him. Marioni learns about Matteo's story and decides to include him in the orchestra.

The green Bianchina is not in very good condition, beginning with the engine, where there are serious oil leaks. René Arnoux, in the driver's seat, discusses the dashboard with its buttons and lights.