With Francesco Calenzano, whose nickname is Franco, Imma reminisces, in a friendly way, about the summers when they were younger and about the music they would listen to, notably, E ti vengo a cercare (I'll come looking for you).

Marta and Andrea find themselves alone in his room, now empty, and they remember the time when they had been together. He tells her of his plans.

Marika divides the types of pasta into different categories and explains their characteristics, ranging from ingredients to shelf life, to cooking time, and consistency.

Over time, Diabolik gained new status. It became cool. Nowadays, whether you read comic books or not, you know who Diabolik is.

A colleague of Marioni's chides him for having treated Matteo as he did. He tries to justify his actions, and then goes to have a word with Rosario, a percussion student.

The Testarossa (literally "red head") is considered to be a supercar par excellence. For a brief period, it was the fastest production model in the world.

Calenzano felt the need to tell Imma and Calogiuri some details about his childhood in Switzerland so that they would be able to understand what had happened between him and Stella.

Andrea continues to be mistrustful of what Marta is intimating to him. She mentions a house she is borrowing ai Ronchi (in the Ronchis). This prompted us to want to find out where this place is and why she says it in the plural. Here (link to lesson) is what we found out.

There are different kinds of flour used to make pasta. "Flour" is a generic term but it's not always accurate. Marika explains it all.

This segment is about the film that was made of the Diabolik story. Not everyone was satisfied, including the Giussani sisters, but in those days, certain international standards had to be respected.

Matteo is at home with his uncle, doing a tricky jigsaw puzzle and ready for dinner. Even though it is clear to Matteo that his uncle is gay, his uncle is very uncomfortable talking about it. Matteo lets his uncle know that there is a girl he likes.

René Arnoux is back, telling us more about the Ferrari Testa Rossa, and some interesting facts about the evolution of the name. He also mentions the famed TV series, Miami Vice.

In front of Imma, Calogiuri, and Diana, Calenzano describes every detail of when he went to Stella's apartment to see her. He's distraught, as he relives the experience.

Cioni is very suspicious about Marta's true intentions toward Andrea. The others begin talking about their past relations and aspirations.

Barbara is practicing piano in the presence of her mother, who tries to encourage her. Little by little Barbara manages to focus on the music, and perhaps not only the music. Another pianist is playing the same piece in a music store. He might be there because he has no piano at home.