With Mister Esposito's deposition, the inspector's suspicions are confirmed. That evening, Camilla and Renzo go to dinner, as arranged, but they are not the only ones.

The principal and the teacher taste the four dishes and decide on the grades.

Lele is asked by a fellow doctor to have a look at a patient who might not be telling the truth about what happened to her. Maria and Rebi are planning the guest list for the party. Cettina is listening and commenting as she works in the kitchen.

Moscati risks his life to save some of the patients from the hospital. It took courage and patience.

Rita Levi Montalcini talks about what, as a little girl, she wanted to be when she grew up. One of her main goals was to help women, especially ones from poor countries, become what they were meant to become.

Ricotta and Felice rush over to Manzi's house to give them some good news. At school, Manzi and the principal clash over teaching methods.

Montaldo tells how the film about Marco Polo came about. It was shot on three different continents.

We learn some more about the origins of Piero's Resurrection and why it might have been commissioned. As with other works of art, the Resurrection likely had political symbolism as well as religious symbolism.

We get a glimpse of Francesco's home life in this segment. He has a lot of pent-up anger and doesn't have it very well under control. Lojacono and Aragona are following Miss Russo and have a little conversation about patience.

Renzo is wondering if meeting up with Inspector Berardi at the restaurant was a coincidence or not, since it wasn't the first time. But they end up exchanging lines of a famous song by Massimo Ranieri, Perdere l'amore (losing love). The next day, the focus is on Livietta and her dance class.

Libero is still trying to think of what to get Maria for her birthday and talks to Alice about it. At the health center, Lele talks to his colleague about Maria's party wishes. The woman who had "fallen down the stairs" comes back.

Both Giuseppe and Giorgio take the exam for the available position. They each have to diagnose a patient and the examination board isn't kind to either of them.

As a child, Rita Levi Montalcini was shy and insecure. Her father wanted her to get married and have children, but she had other plans for her life. She also had a twin sister who was an artist.

Fulvio describes the monument we look at in this segment before telling what it is. The story has some pretty surprising aspects.

The principal called on an inspector to evaluate how well Manzi's class is prepared. He is not very kind.