This is the story of an Italian, who haveing been brought up on a dairy farm, travels the world, ending up in Australia, only to return to Italy with some new ideas about the cheese he wants to create.

Armando talks about how the works of Duchamp influenced his work and that of so many contemporary artists. The choice of a unique exhibition hall played a part, as well.

Annalena continues talking with Paolo Giordano, who talks about how places such as Afghanistan and Apulia have influenced his writing.

In this segment, we're on the set with Pasolini as he shouts directions to Totò through his megaphone, and at the same time discusses the shoot with his crew. Naturally, authenticity often means people speak over each other, so it's hard to understand what is said. Then, Pasolini is asked by a journalist about his views on neorealism and here, the speech is clearer (and interesting), so don't give up!

Camilla can't help herself and goes to the home of Mattioli's former nurse. Gaetano leaves Camilla a text message. Note that in Italy, texting while driving is now prohibited.

Imma goes to join Calogiuri in the area of Matera where homes and churches were built into the rock. There are i sassi (cave houses carved out of the rocks) and the lamioni, barrel-vaulted rooms leading to the cave houses. She is guided by Eustacchio, a kid she thinks should be in school. But he knows quite a bit about the history of the place.

Lojacono follows Varricchio to his hotel to ask a few more questions, in private.

The bread from Altamura (in Apulia) is very famous among Italian bread connoisseurs. Beppe di Gesù, our host in this segment, comes from a long line of bakers. Breadmaking is so special that it's called l'arte bianca (the white art), because of the color of the flour.

Not only are Armando's photographs reminiscent of the universe and nature — they also recall other works of art from history.

Annalena meets up with Paolo Giordano who talks about the trauma of moving from Turin to Rome. Giordano's first novel, La solitudine dei numeri primi (the solitude of prime numbers) from 2008 was made into a popular film of the same name in 2010.

Pasolini talks about how he moved from literature to cinema, and how his ideas about language changed. He talked about providing Italians with an opportunity to demonstrate racism, perhaps for the first time, with his movie, Accattone.

Camilla is still convinced there is a mouse in the house and Renzo humors her. At school, there is some tension, but Marchesi has some information for Camilla and her mood changes. Berardi also obtains, almost by accident, some intriguing information, that could be pertinent to the case.

Valentina has begun studying again, and talks to Bea after class. There is a cloud over Imma's office, as she and Calogiuri talk about the case.

Marinella is shocked to hear on the news that a father might have killed his own children and she calls her father for some reassurance. The team goes to the funeral of Grazia and Biagio, in order to observe the behaviors of the various suspects and witnesses.

In chapter. 7, Armando describes how, to him, his images represent vegetation, woodlands, trees, and flowers.