Camilla and her class are on a field trip to the theater and she is trying to hand out the tickets, but lots is happening outside, involving the other teacher, an out-of-work actor, the students, some picture-taking, and some trouble down the street.

During the orchestra rehearsal, a player makes a mistake and Marioni, the conductor, doesn't hesitate to press the point, in his usual cruel manner, that an orchestra is not a democracy.

The poor condition of the Bianchina the expert is restoring does not make the car any less iconic. Let's see what characteristics impact the valuations of two different models.

This segment looks at Tex's son and "pards" (partners). And we get some answers about why he doesn't have a girlfriend.

The young volunteers talk about how they met and what they were doing the night of the murder. Aragona and Romano come back to headquarters with a photo they found at the victim's home.

Imma is still worried about her husband ending up in the hospital when, back at work, Diana has bad news for her. Imma remembers her appointment with Don Mariano, but that's not the worst of it.

At home, there is the usual rush to get ready for school and work. Camilla is running late and is not available to answer a burning question her husband and daughter have for her.

The green Bianchina is not in very good condition, beginning with the engine, where there are serious oil leaks. René Arnoux, in the driver's seat, discusses the dashboard with its buttons and lights.

Matteo seems fine but his father and uncle are worried about him. Marioni learns why Matteo is described as fragile and makes some decisions regarding the orchestra.

Gianluigi and Sergio Bonelli both wrote Tex stories, but they had different approaches, and their relationship was complex on a personal level. We learn about what inspired the images of the countryside where Tex and Carson would roam.

The friends are on the boat but they run out of gas. Who had the jerry can? Arguing ensues, but they are at sea...

Lojacono and DA Piras arrive at the scene of the crime and meet Don Michele. The next morning Lojacono goes with Di Nardo to talk to the kids who had been in the parish hall with the victim.

Imma had been dreaming and wakes up to a call from Don Mariano who wants to see her, urgently. But she has another emergency to deal with first.

Reneé Arnoux tries out a Bianchina, and seems to like how it handles on the road. Carmine Sessa tells us a little bit about the history of the car.

Sofia goes up to the roof to practice her cello, but ends up singing a song (in English). When Maestro Marioni gets home from an amorous encounter, he watches a video where Matteo's previous violin teacher introduces him and explains his special situation.