Faced with evidence, Mrs. Nubila has no choice but to confess her involvement in Lara's pregnancy, and how she and her husband took advantage of the girl.

Marioni introduces an unusual concert, in which he gives up conducting the orchestra to accommodate a visually impaired musician. The orchestra is arranged among the audience, and the musicians will perform without visual references, relying exclusively on their ears.

Inspector Berardi and Camilla discuss the case, but they lose track of time and it gets very late. Phone calls with their significant others ensue. Gaetano is concerned Camilla might end up in the middle of a third murder.

Valeria Parrella talks about her intense and contradictory bond with Naples and the neighborhood she lives in. The full-time innovative Donna Assunta school overlooks the sea, but faces Nisida, the juvenile detention center. Naples, she says, is not a city you can just live in and ignore, and has become for her an inexhaustible source of literary inspiration.

Laura and Giuseppe go to question Lara's former employers, who are not very cooperative. The issue of embroidery comes up as Di Nardo and Aragona search the premises.

Marioni has an intimate moment with Irene and lets her know how important she is to him, whispering the lyrics to "Senza fine" by Gino Paoli. At the conservatory, the orchestra is ready to go onstage for the concert, where, presumably, everyone will play from memory. Matteo's uncle and friend are in the audience, but Nathan hasn't invited anyone. Sara is nervous.

Gaetano and Torre get called to the scene of another murder. Suspecting that the body is that of Quantunque, Gaetano calls Camilla, who has gone to Anna's restaurant to meet someone identifying himself as Quantunque. Anna turns out the lights at the restaurant and Gaetano turns on the siren of the squad car.

Author Valeria Parrella talks about the connection between her novel Almarina and various locations within Naples: Nisida (a volcanic islet that houses a juvenile detention center) and Bagnoli (a seaside neighborhood of Naples). What emerges is the portrait of an intense and contradictory city, marked by working-class identity, the sea, and the reality of juvenile prison.

An apparently insignificant detail on the onesie the baby was wearing when found by the dumpster leads Laura to question a version of events related to Lara's death. She and Lojacono go to question Lara's former employers once again.

Irene is not so sure Marioni's car crash was really an accident, and the two talk frankly. Meanwhile, Robbo's sister Chiara has an asthma attack, and Robbo calls their father.

Sandra now lives in the Blue Ridge Mountains, in North Carolina. She is still working and loves it. She and Marika discuss some Italian expressions about the value of work and about how their friendship has lasted all these years.

Livietta is using a bit of blackmail on her parents to get them to buy her some low-waisted pants. But Camilla and Renzo have their own problems. Renzo has to go to dinner with Roberta's parents, and Camilla gets an urgent phone call from Anna.

Valeria Parrella tells of her deep and complex bond with Naples, a city that becomes language, identity, and memory. Through Almarina emerges a Naples that is "marvelous and terrible," but also a place of freedom, growth, and hope.

Palma begins to lose patience with the Pizzofalcone team, frustrated by the absence of concrete evidence and a network of still uncertain suspects. Meanwhile Lojacono confronts his lawyer, bringing to light personal difficulties, financial problems and the weight of a past that continues to haunt him.

Barbara avoids a meeting to take refuge in music, while the rest of the group confronts insecurities. A breathing crisis of little Chiara brings past fears back to light, but also the strength of mutual support. Meanwhile, among colleagues, the organization of an innovative concert takes shape.