The kidnappers demanded a very high ransom and the police decided to summon all the child's close relatives to ensure no one takes independent action. The situation is definitely heating up.

Fingerprints left in the Parascandolo apartment have finally been identified. Di Nardo and Lojacono quickly go to pay a visit to Mrs. Parascandolo, who has some interesting things to say on the subject.

Giuseppe goes to see Laura to watch the kidnapping footage again. Palma accompanies Ottavia home with a special gift for Riccardo.

Dodo knows the woman who is holding him prisoner and even though he has a fever, he asks her when his father will come to free them. Meanwhile, Laura and Lojacono try to figure out who the woman in the video could be.

Finally the suspect has a name. At the police station the atmosphere is tense but everyone is ready to move to track down Lena and her accomplice. Meanwhile, another urgency looms: getting their hands on Parascandolo's husband, guilty of loan sharking.

Lojacono celebrates Christmas with Letizia, in a serene atmosphere of intimacy. Piras, on the other hand, is home alone, while Pisanelli receives an unexpected visit from Brother Leonardo. Dodo is alone and misses his mom.

Alex, after leaving her parents' house, rushes to Rosaria's house. At the police station, the search is actively underway to find Lena Miroslava.

Aragona and Romano go to the address of the two kidnapping suspects, but they aren't there. At the police station, during the reconstruction of the investigation, a comment from Romano and evidence brought by Alex reveal new decisive elements.

This documentary is about Guido Crepax, the creator of a famous fumetto (comic strip) that came out in 1965. The main characters are Philip Rembrandt, an art critic, and Valentina Rosselli, a photojournalist.

Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.

Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.

Crepax's Valentina was an intriguing character because she openly reflected the sexual freedom of the late sixties and was attractive to both men and women. It was very "in" to be seen walking around with an issue of "Linus," an Italian comics magazine published in Italy beginning in 1965.

Among the pages of the comic strip, family members find familiar objects, drawings, and personal information from their everyday life. Although Valentina was a figment of Crepax's imagination, she was also an integral part of his family.

One of Crepax's techniques is to use the details of everyday life to build his stories and provide context. We even see the titles of the books in Valentina's bookcase.

Besides his much better known activity as a graphic artist, Crepax was a keen wargamer and wargame designer and collector of paper soldiers, drawn by himself.