Lojacono celebrates Christmas with Letizia, in a serene atmosphere of intimacy. Piras, on the other hand, is home alone, while Pisanelli receives an unexpected visit from Brother Leonardo. Dodo is alone and misses his mom.

Alex, after leaving her parents' house, rushes to Rosaria's house. At the police station, the search is actively underway to find Lena Miroslava.

Aragona and Romano go to the address of the two kidnapping suspects, but they aren't there. At the police station, during the reconstruction of the investigation, a comment from Romano and evidence brought by Alex reveal new decisive elements.

Finally the father of little Dodo reveals the whole truth about the organization of the kidnapping but confesses that he doesn't know where his son is and asks for help to find him.

Pisanelli got ahead of Lojacono's team by entering the Intrasit warehouse before the others. When they all arrive, they recognize his car.

The news that the kidnappers managed to escape taking little Dodo with them is spreading rapidly. While Lojacono is following the updates on television, his daughter surprises him with a visit.

Lojacono immediately goes to Laura's house, where she confides in him that she finally feels ready to take the risk and start a relationship with him, if he wants it too. Although Christmas has already passed, Marinella insists on wanting to put up the tree anyway, but just at that moment Giuseppe receives a phone call.

Everyone is gathered to bring in the New Year, when, amid the exchanging of greetings, the police commissioner makes his entrance, surprising everyone with an unexpected announcement.

The alternative tourism video starts by showing some of Rome's iconic sites, but will focus on less well-known quarters, such as the Salario-Trieste neighborhood in north Rome.

Rome's Coppedè Quarter is the focus of the segment. Its eclectic style is difficult to characterize, but the narrator talks of the liberty style, which stems from the Liberty department store in London. In English, we know this style by the French term, Art Nouveau.

The segment shows us some interiors in Coppedè's dream-inspired complex.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

We visit the cemetery where the English poets are buried, and learn about the relationship between the Tiber River and the city of Rome.