Pisanelli goes to see a pharmacist friend who gives him a hand in his private investigation. Romano brought home pizza, but once again, Giorgia arrives late. At police headquarters, the team is celebrating having solved the case.

Giacinta and her friends narrate their version of the events surrounding the murder of Ramaglia and Capuano to the whole team of Pizzofalcone. Palma goes to see his superior to assess the situation.

After a long work day, everyone on the team goes home to a different situation, and it isn't always a happy one.

Dottoressa Piras and Lojacono continue their conversation in the car in front of Lojacono's building. They address some serious topics that have nothing to do with the case they have just solved.

Lojacono hasn't seen his daughter in a year, and would like to catch up. She has something to tell him, but doesn't say a whole lot more. Meanwhile, another crime has been committed in the city.

There is a new case for the team at Pizzofalcone and Lojacono and Aragona go to the scene of the crime. A young cleaning woman was found dead in the basement of an apartment building.

Lojacono and Aragona go to see the husband of the ex-door person. He confirms the fight between Giacomo Scognamiglio and Teresa's husband. Back at headquarters, Romano objects to always having to stay there instead of going out as Lojacono and Aragona do.

De Nardo is waiting for her friend at the pizzeria. Lojacono calls Laura about their relationship.

After gathering some confused information from a neighbor about the woman who might have abandoned the newborn, the police decide to enter the apartment. Inside, the body of a woman is found. Procedures are immediately triggered and officer Di Nardo reports the discovery, launching the investigation.

The death of the young Ukrainian woman, who had just become a mother, raises many questions: the identity of a rescued child, a possible blood relationship and the evident signs of a murder. Between DNA tests and professional tensions, they attempt to reconstruct the story.

The investigations are only at the beginning and the autopsy results are not yet available. For now it emerges that there are no signs of struggle and that the girl was caught by surprise. Meanwhile, at home, Giuseppe and Laura rediscover their complicity.

While the little girl hovers between life and death in the hospital, the forensic police and investigators begin to dig into the past of the young woman found dead. A regular residence permit, jobs as a domestic worker in upscale neighborhoods, rent paid in cash and too many unanswered questions.

The circle is tightening and the police are investigating two possible profiles: a lawyer and an engineer. Between jokes and internal dynamics at the police station, two officers are assigned to interrogate engineer Senatore and two others go to Nubila.

In 1963 Crepax got his start in the world of comic books and two years later created his famous character, Valentina. The comic strip first appeared in the anthology comic book, "linus," founded by Giovanni Gandini, who had known Crepax as a kid.

Valentina's success coincided with the beginnings of feminist movements in Italy. She depicted a woman who was strong and independent, who could do anything a man could do, a departure from the stereotype of the Italian housewife.