The friends are on the boat but they run out of gas. Who had the jerry can? Arguing ensues, but they are at sea...

Imma had been dreaming and wakes up to a call from Don Mariano who wants to see her, urgently. But she has another emergency to deal with first.

Reneé Arnoux tries out a Bianchina, and seems to like how it handles on the road. Carmine Sessa tells us a little bit about the history of the car.

It's fascinating to see where the idea of Tex Willer came from and how it evolved. We get to know the creators, Gianluigi Bonelli and Aurelio Galleppini (pen name Galep).

The friends are getting ready to leave, but it's still summer and someone gets the bright idea of going to the beach in a friend's boat.

Imma appears to be on the psychiatrist's couch, describing a dream, but the situation becomes more and more bizarre and we don't really know what's real and what isn't.

What stands out in this segment is the fact that the Bianchina was the iconic automobile in the beloved 1975 movie, Fantozzi.

What kind of guy was Tex? For the most part, he was tutto d'un pezzo (a straight shooter). But sometimes it would depend on who was writing the story.

The party is over and it is time to clean up and pack up. Cioni seeks out Ilaria to talk about her situation.

Pietro goes to his saxophone teacher's house to help her with a technical problem. At home, Imma gets an important phone call that has nothing to do with the case she just solved.

Tex Willer is the main fictional character of the Italian comics series Tex, first published in Italy in 1948. The series is an Italian take on the American Old West.

At the party, tension is high among the friends. Harsh words are exchanged.

Calenzano finishes telling his story and Calogiuri takes him away. Stacchio's teacher stops by Imma's office with a pupil, Nicolas, who has a story of his own to tell.

We have a look inside the 12-cylinder engine of the Testarossa to see what kind of grade it will receive out of ten.

Cioni is very suspicious about Marta's true intentions toward Andrea. The others begin talking about their past relations and aspirations.