Il formaggio (cheese) is rarely missing from an Italian kitchen. This video takes us to the mountains north of Bergamo where the Monaci family has kept the family cheese-making tradition going, beginning in the stable where the cows are taken care of during the colder months.

Camilla calls Berardi about the stolen camera but he is busy with a murder. Renzo goes to the dance class even though his mother-in-law is picking up Livietta.

Lojacono, Romano, and Di Nardo go to talk to Teresa's husband again. He reveals the reason for the fight he had had with Giacomo. The team goes back to the building where the Scognomiglios live and they run into the ex-door person.

Domenico Bruno tells Imma the whole story of how his brother died.

One doctor chooses to recite Baudelaire rather than listen to his patient. Luigi gets the results of the histological exam.

Everyone is in place for the wedding vows, but there is an unexpected glitch and Nora has to scramble.

Which came first? Blow-Up or Ciao Valentina? Which work stole from the other? In any case, there are some striking similarities.

Michele is distraught about Beatrice Cenci but at this point, there is nothing he can do. He confides in Costanza Colonna, who warns him to keep his ideas to himself.

The Romans were the ones to introduce the culture of wine to the area around Mount Vesuvius as can be seen by what was left behind in places like Ercolano. And it is in Ercolano where a unique cooperative has been set up to cultivate a very special variety of tomatoes.

Camilla gets distracted for a moment, and Berilli takes over operating the videocamera. But there's some commotion. Berardi is in the park looking for the body along with Ferrari and Torre.

Lojacano can't wait to have some time with his daughter, but she has other plans. Pisanelli goes to see his friar friend, Leonardo, at the monastery.

Imma's excellent memory helps her figure out some details of the murder, as she talks to the brother from Argentina.

Luigi explains an unwritten rule at the hospital, and we see it in action. The priest is in crisi (having a hard time) and explains things to his roommate, who doesn't quite get it.

Ugo and the bride sit in the car and commiserate. Nora drives up and is happy to see the car. A heated argument ensues.

Crepax's stories were based on imagination and vision. In those years, artists contaminated one another's works, and there was even a curious connection between Crepax's Ciao Valentina and Antonioni's Blow-Up.