Pimpa goes to the beach with Olivia the duck. Olivia gets lost but is helped by the shrimp Onin.

Luigi tells us the fourth thing that demonstrates that a man has gotten old.

Nora is having trouble finding male strippers and Spartacus has an idea. Manrico is still bugging Dino about going out with Melody. Ugo has a talk with the groom to find out what the bachelor party should be like.

Crepax loved playing at battles and would change the outcomes, using his friends to fine-tune the moves. He had some famous personalities as willing participants in the games, too.

Michele goes back to the tavern Ranuccio and Fillide frequent. He challenges Ranuccio.

Patrizia works as an agronomist collaborating with farmers who grow heirloom vegetables of the Campania tradition. She describes a couple of different kinds of tomatoes and what they're typically used for.

Giorgio is on his way home, but changes his mind and goes to Piazza del Gesù.

Some papers were found at Steve Colato's place and so he is back at police headquarters being questioned again. The police find out more details connected to the case and about the fifty thousand euros.

Lojacono hasn't seen his daughter in a year, and would like to catch up. She has something to tell him, but doesn't say a whole lot more. Meanwhile, another crime has been committed in the city.

Imma interviews Giulio Bruno, the son of the murdered architect, Domenico. Giulio seems forthcoming about what happened with his uncle in Argentina.

Marika explains about the risks of global warming, fossil fuels, the greenhouse effect and what we can do to lessen the damage being caused.

Luigi talks about getting old. Marcello talks about missing his restaurant and the work he loves.

Ugo is pretending to be relaxed and busy cooking, singing an aria from Verdi's Otello under his breath as he cooks. Nora is getting all gussied up for her date.

Besides his much better known activity as a graphic artist, Crepax was a keen wargamer and wargame designer and collector of paper soldiers, drawn by himself.

We learn of the death of Francesco Cenci from a conversation between the Cardinal and one of his guests. Michele arrives too, at a reception, where his latest painting is on display. He makes an impression as someone who speaks his mind.