The detective's mother is not able to provide any useful information to the police. Renzo finds a small object near the front entrance of their apartment building. He also gets a postcard from New York, causing not a little stress to Camilla.

Pasolini talks about how artists are always controversial. They are a living protest. His protest involves language and national identity.

Chiara tells about how she realized she knew how to read, which then led her to begin writing. She wrote her first "novel" in second grade. Where she grew up, on the outskirts of Rome, influence her writing to a significant degree.

In chapter. 7, Armando describes how, to him, his images represent vegetation, woodlands, trees, and flowers.

Marinella is shocked to hear on the news that a father might have killed his own children and she calls her father for some reassurance. The team goes to the funeral of Grazia and Biagio, in order to observe the behaviors of the various suspects and witnesses.

Valentina has begun studying again, and talks to Bea after class. There is a cloud over Imma's office, as she and Calogiuri talk about the case.

Camilla is still convinced there is a mouse in the house and Renzo humors her. At school, there is some tension, but Marchesi has some information for Camilla and her mood changes. Berardi also obtains, almost by accident, some intriguing information, that could be pertinent to the case.

Pasolini talks about how he moved from literature to cinema, and how his ideas about language changed. He talked about providing Italians with an opportunity to demonstrate racism, perhaps for the first time, with his movie, Accattone.

Annalena meets up with Paolo Giordano who talks about the trauma of moving from Turin to Rome. Giordano's first novel, La solitudine dei numeri primi (the solitude of prime numbers) from 2008 was made into a popular film of the same name in 2010.

Not only are Armando's photographs reminiscent of the universe and nature — they also recall other works of art from history.

The bread from Altamura (in Apulia) is very famous among Italian bread connoisseurs. Beppe di Gesù, our host in this segment, comes from a long line of bakers. Breadmaking is so special that it's called l'arte bianca (the white art), because of the color of the flour.

Lojacono follows Varricchio to his hotel to ask a few more questions, in private.

Imma goes to join Calogiuri in the area of Matera where homes and churches were built into the rock. There are i sassi (cave houses carved out of the rocks) and the lamioni, barrel-vaulted rooms leading to the cave houses. She is guided by Eustacchio, a kid she thinks should be in school. But he knows quite a bit about the history of the place.

Camilla can't help herself and goes to the home of Mattioli's former nurse. Gaetano leaves Camilla a text message. Note that in Italy, texting while driving is now prohibited.

In this segment, we're on the set with Pasolini as he shouts directions to Totò through his megaphone, and at the same time discusses the shoot with his crew. Naturally, authenticity often means people speak over each other, so it's hard to understand what is said. Then, Pasolini is asked by a journalist about his views on neorealism and here, the speech is clearer (and interesting), so don't give up!