Ricotta and Felice rush over to Manzi's house to give them some good news. At school, Manzi and the principal clash over teaching methods.

Montaldo tells how the film about Marco Polo came about. It was shot on three different continents.

We learn some more about the origins of Piero's Resurrection and why it might have been commissioned. As with other works of art, the Resurrection likely had political symbolism as well as religious symbolism.

Marika has set up a Q & A series of videos specifically designed to answer your questions in more detail and with more examples than what is possible in the comments section of a Yabla video. She explains how it works in this video, so don't miss out on the opportunity to get your questions answered!

We get a glimpse of Francesco's home life in this segment. He has a lot of pent-up anger and doesn't have it very well under control. Lojacono and Aragona are following Miss Russo and have a little conversation about patience.

Renzo is wondering if meeting up with Inspector Berardi at the restaurant was a coincidence or not, since it wasn't the first time. But they end up exchanging lines of a famous song by Massimo Ranieri, Perdere l'amore (losing love). The next day, the focus is on Livietta and her dance class.

Libero is still trying to think of what to get Maria for her birthday and talks to Alice about it. At the health center, Lele talks to his colleague about Maria's party wishes. The woman who had "fallen down the stairs" comes back.

Both Giuseppe and Giorgio take the exam for the available position. They each have to diagnose a patient and the examination board isn't kind to either of them.

As a child, Rita Levi Montalcini was shy and insecure. Her father wanted her to get married and have children, but she had other plans for her life. She also had a twin sister who was an artist.

Fulvio describes the monument we look at in this segment before telling what it is. The story has some pretty surprising aspects.

The principal called on an inspector to evaluate how well Manzi's class is prepared. He is not very kind.

Inti, who was the 9-year-old grandson of Giuliano and Vera, went to see them as they were filming in China. They put him to work and the experience had a huge influence on him.

We learn more about how and why Piero's Resurrection was moved from its original position. It's fascinating.

Lojacono has a conversation with Iolanda Russo and learns some new details. Later he has a meeting with his superiors.

Berardi and the DA are about to have a passionate evening together, but they are interrupted by a phone call from Torre and they have to leave right away.