The mystery of Cetinka is finally getting solved, so tune in for this exciting moment. You'll even find out what it was that smelled like dead bats!

For the filming of a scene from Satyricon, Fellini, on the set at Cinecittà, patiently rehearses with an actor who's supposed to count from one to four.

There's still more to know about the masculine singular definite article. After IL and L with an apostrophe, there's a third kind, LO. Daniela explains two simple rules to follow.

Martina has left her room and is staying in a tent on the beach near the shack where Alessio sleeps. Alessio has a surprise encounter on the beach with the nice lady he'd met once before.

As a fitting end to this journey into Italian gastronomy, Gualtiero Marchesi shares with us the recipe for one of his most special risottos, using his own innovative techniques while keeping with tradition.

Don't miss the last part of Marika and Anna's encounter with Signora Giuseppina of the Trattoria al Biondo Tevere. You'll hear about a 56 year-old fridge, five weddings in one day, and sheep who do gardening.

Commissioner Manara and Inspector Rubino figure out who wrote the love letters and Lara conducts the appropriate interrogation.

A group of film artists get together for some brainstorming in order to come up with an idea for the short film competition "Caffè Corto Moak." They're running out of time, and their nerves are in tatters.

Maria's crush on her Biology teacher is getting way out of hand, although she says she's got it under control. Meanwhile, back at the house, Giacinto is in the bathroom once again, trying to fix the leak. Cetinka joins him to see how he's doing, and from their conversation, we make some interesting new discoveries.

After a long day's work, Alessio is invited to eat dinner with his hosts, but he soon realizes that there's a lot of tension in the air.

Daniela tells her students about the masculine singular definite article in its three forms, "Il, L' and Lo."

Antonio explains that the Italian tradition of constructing a nativity scene during the Christmas season had it origins in the thirteenth century, when Saint Francis of Assisi organized the first live re-enactment of the birth of Jesus. It soon spread to all of Italy, but above all to the Kingdom of Naples, where everyone got involved, from the poorest family to the King himself.

Cettina shows us how to make a very basic nativity scene.

For many Italians, putting up a presepe (manger scene or crèche) at Christmas time is as, if not more important than putting up a Christmas tree. Antonio talks about the traditions concerning its origins, two thousand and eleven years ago.

Coffee, in its broadest sense, is the topic of the Caffè Corto Moak, the international short film competition, now in its eighth year, promoted by Caffè Moak.