Difficulty: Intermediate
Italy
One of Crepax's techniques is to use the details of everyday life to build his stories and provide context. We even see the titles of the books in Valentina's bookcase.
Difficulty: Intermediate
Italy
Among the pages of the comic strip, family members find familiar objects, drawings, and personal information from their everyday life. Although Valentina was a figment of Crepax's imagination, she was also an integral part of his family.
Difficulty: Adv-Intermediate
Italy
Valentina's success coincided with the beginnings of feminist movements in Italy. She depicted a woman who was strong and independent, who could do anything a man could do, a departure from the stereotype of the Italian housewife.
Difficulty: Intermediate
Italy
Crepax's Valentina was an intriguing character because she openly reflected the sexual freedom of the late sixties and was attractive to both men and women. It was very "in" to be seen walking around with an issue of "Linus," an Italian comics magazine published in Italy beginning in 1965.
Difficulty: Intermediate
Italy
Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.
Difficulty: Adv-Intermediate
Italy
In 1963 Crepax got his start in the world of comic books and two years later created his famous character, Valentina. The comic strip first appeared in the anthology comic book, "linus," founded by Giovanni Gandini, who had known Crepax as a kid.
Difficulty: Intermediate
Italy
Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.
Difficulty: Intermediate
Italy
Margherita left a legacy of progress, both scientific and social. Perhaps she is still looking down on us, since an asteroid was named after her: 8558 Hack.
Difficulty: Intermediate
Italy
This documentary is about Guido Crepax, the creator of a famous fumetto (comic strip) that came out in 1965. The main characters are Philip Rembrandt, an art critic, and Valentina Rosselli, a photojournalist.
Difficulty: Intermediate
Italy
Even though Aldo and Margherita were very different in many ways, they came together in their skepticism. Towards the end of her life, Margherita couldn't move around much, but her brain never stopped going.
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