We look at Leonardo's Last Supper from close up — the details, the symbolism — but also from the refectory floor, seeing how Leonardo's genius made the fresco part of the room itself.
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Caption 28 [it]: a prendere dalla realtà dei soggetti che avrebbero poi animato le sue opere. Caption 28 [en]: and gather subjects from real life that would then animate his works.
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