Moscati discovers what Aniello died of and feels profoundly aggrieved and powerless. He seems to have doubts about his role as a doctor.

Because of the racial laws in Italy during the period of Fascism, many Jews left the country, including Rita Levi Montalcini. In Italy she wasn't allowed to work or publish papers, but somehow, she found a way to keep going.

As a child, Rita Levi Montalcini was shy and insecure. Her father wanted her to get married and have children, but she had other plans for her life. She also had a twin sister who was an artist.

Both Giuseppe and Giorgio take the exam for the available position. They each have to diagnose a patient and the examination board isn't kind to either of them.

Rita Levi Montalcini dedicated a great part of her life to young people, especially young researchers, and though she had no children of her own, she felt that all kinds of young people were like sons and daughters to her.

Rita Levi Montalcini felt that imagination was the "secret sauce" of her research. And this encouraged her to turn to young people, who have plenty of imagination. She didn't hesitate to teach kids of junior high school age, which came as a surprise to some people, since she was a winner of the Nobel prize.

Rita Levi Montalcini talks about when she won the Nobel Prize in 1986. Her niece, Piera, tells the story from her point of view, and Paola Tarassi, a research student of hers, tells about studying with her after she had already won the Nobel.

Comedian and actor Caterina Guzzanti is a guest at a middle school in Afragola, in the province of Naples, a school named after Rita Levi Montalcini. Guzzanti meets with the students from the theater class for a lesson on the imagination, which has a lot of importance in her work but was also very important to the great researcher from Turin, Montalcini.

Alberto is doing the right thing, but it's not easy. He goes to the reformatory for a last meeting with the director. This is the finale of the first of two episodes in this mini-series.

Alberto Manzi gets his degree after his oral exam defending his dissertation, but now he has some tough decisions to make about his future.

Alberto took a huge risk when he decided to take the boys to the seaside. In fact, he wasn't ready for how out of control they would be.

The reformatory director is clearly affected by what his inmates have written. Meanwhile, the magazine takes shape, involving getting it typed, collated, and stapled.

The director of the reformatory has done a bit of thinking and comes to see the boys, a rare occurence. Manzi, with his proverbial foot in the door, keeps trying to push it open even wider. There is news on the home front, too.

The kids have gotten to the point where they can write much more than their own names. But what then? Alberto comes up with a wonderful idea.

Alberto becomes a hero by bringing his kids some pencils. They start to feel the thrill of simply being able to write their own names.