Although we don't know their function, the Telamons, gigantic statues alternating with the semi-columns of the Temple of Jupiter, were as high as a six-story building. A reconstruction of the temple in the Pietro Griffo Regional Archeological Museum allows us to imagine just how imposing they must have been.

Alberto Angela shows us how the Greek Temple of Zeus was built to be seen from great distances.

Alberto Angela talks about how Akragas came to be, how its name changed over time, and about what information has been obtained from archeological digs.

The temple dedicated to Concordia was built on an ancient seabed from two million years ago, and is one of the most remarkable structures from the Greek world. Alberto Angela explains why it is the only one still standing.

We're in the south of Italy, where many cultures have merged. Alberto Angela takes us to visit the magnificent Valley of the Temples in Agrigento, Sicily.

Adriano has to go back to Ivrea because of a death in the family, and that's where this first episode leaves us. It is interesting to note all the kinds of professionals who contributed to producing this biopic.

Adriano and Grazia start seeing each other romantically, but her parents do not approve because of the age difference and because Adriano is still a married man.

There is more to tell about the incredible, huge cistern in the center of Matera. With this, the episode concludes, with an invitation to join in the next journey of discovery.

Adriano tells Grazia his ideas for a new kind of city. Back at the factory, cuts are being made, and there is talk of layoffs. We also discover an ironic fact about Adriano.

In Matera, various epochs shake hands, as Alberto Angela put it. Matera continues to amaze us with what's hidden underneath the piazza of the Baroque quarter: Il Piano.

As luck would have it, Adriano has a chance encounter with a young woman who has a problem he is uniquely capable of solving. Teresa and her daughter Maria have an unexpected caller.

Living conditions were so different at the time of the cave dwellings. Imagine having a mule and rabbits running around the house! The government eventually put a stop to this type of dwelling, and much was gained, but much was lost. On the other hand, people had to live somewhere. The Civita, the oldest part of Matera, filled up quickly around the imposing cathedral, and there was no more room for building houses.

Even though he is no longer leading the company, Adriano is as active as ever. Events come together that motivate him to put his theories into practice.

We see the inside of house built into the rock. It is fascinating to learn how families coped with the problems of water, humidity, and cramped quarters.

Adriano decides to leave running the factory to Marcello and goes off on his own to work on his other projects. But country roads are dangerous in the pouring rain...