Anna and Marika tell the first part of the story of Violetta and Alfredo, their falling in love and their decision to live in Paris together. But their happiness doesn't last...

Violetta writes a letter of farewell to Alfredo. He is miserable, but hears of a party where he is sure to see her. But there, things go from bad to worse. Alfredo ends up having to live abroad, and Violetta's illness gets much worse. Will they ever be able to embrace each other again?

Verdi's Rigoletto: intrigue, love, passion and cruelty. Brought to you by Anna and Marika.

Giuseppe Verdi's Rigoletto: more passion, intrigue, love, and cruelty at court. The curse is fulfilled!

Meet the characters from The Barber of Seville, an opera by Gioacchino Rossini that was first performed in 1816: brought to you by Anna and Marika.

Anna and Marika tell us the story of Rosina, who in the midst of deception and intrigue, ends up getting married. But to whom? The one she loves, or the one who wants her at all costs?

De Ponte is still intent on finding Caravaggio to arrest him. Fortunately, the artist has people who want to protect him and is taken by boat to Siracusa, where a friend takes him in.

Paolo briefly improvises to announce Jannacci's absence and, between jokes and banter, gets a surprisingly positive response from the audience. After saying goodbye to Chiesa, he is approached by a well-known figure who makes him a proposal.

Paolo is worried about the future and dissatisfied with his job at Cosider. Maura is by his side and together they decide to go to Rome to understand how things will evolve.

While Paolo prepares to go on stage, he is approached by a well-known television writer who presents him with an interesting proposal, assuring him that Maurizio Costanzo is also in favor. Back in Genoa, Paolo rushes to look for the children, but discovers they are at the carnival rides.

Everyone follows Paolo on television and is struck by his skill. At dawn, however, while resting in his hotel room, he is awakened by a phone call from Faber who tells him bad news.

Paolo is so absorbed in his career that constant bickering arises at home. On television, his character Fracchia decides to ask for a raise that he rightfully deserves, but the meeting with the director turns into a decidedly embarrassing scene.

Here is the epilogue of Paolo Villaggio's story: between surreal comedy and workplace satire, from the servile and mistreated Fracchia to the triumph of Fantozzi. A tale made of absurd jokes and dialogues that brings unforgettable characters to life and leaves a deep mark on Italian cinema.

Detective Lojacono is transferred to a police station that is considered to be the worst of the worst. Judging from his first encounter there, it seems he has his work cut out for him.

Detective Lojacono meets his team and learns why they talk about the "bastards." He also learns what the future holds for the police station.