Eleonora tells us about how she combines her love for animals, especially horses, with a path to a career.

Eleonora introduces us to her two horses. She tells the story of how they came to be part of her life.

Horses are large animals, but they are delicate, too. Keeping them healthy and in good condition requires a series of essential measures of different kinds. Eleonora takes us through some of them.

Giuseppe Pitrè was an ethnologist who collected documents pertaining to Sicily and its culture and traditions. His work is the basis for this documentary, which unites live footage, drawings, and archival documents.

We learn about Pitrè's life, and his relationship to the sea.

In this segment, we see some swordfish harpoon fishing, and hear an old Sicilian legend about a boy named Nicola who could stay underwater for a very long time.

Pitrè's life was marked by a sort of travelling storyteller tradition in his family. In those days, a cuntastorie (storyteller) would go around to all the piazzas and tell stories, and people would pay to hear them.

This segment focuses on an actor who retells and acts out stories from Sicily's past, speaking in Sicilian dialect. He uses the Pitrè Museum as a source for material. The museum houses a manuscript with over 4,000 Sicilian proverbs, just one of the many volumes of Sicilian ethnographic material.

Pitrè's mission was to conserve and safeguard the traditions of his people, the Sicilians, and to keep the roots alive. Looking at religious traditions is one important way to do this.

Saint Rosalia (1130–1166), recognized by her crown of roses, is Palermo's patron saint. The video shows the July 14 parade in honor of the saint, and a young man who credits his cure from a grave illness to Saint Rosalia.

The segment concentrates on the richness of the Sicilian dialect, a dialect which is less and less spoken. The narrator interviews two poets who recite their works in Sicilian, providing insights into the language.

Giuseppe Pitrè received his degree in medicine in 1865. His patients, among Palermo's poorest, provided him with a wealth of ethnographic material.

A woman performs a traditional Sicilian ritual involving the sticking of pins into an onion, accompanied by prayers, in order to bring back the boyfriend of her suppliant.

Giuseppe Pitrè loved attending performances of chivalric folk plays in Palermo. This segment follows a marionette player at Palermo's Opera dei Pupi, the same theater where Pitrè went to see folk epics.

Palermo faces the sea and has a very long history of immigration. The narrator interviews a young woman whose great grandfather came to Sicily from Sudan. She is involved in educating immigrants from Africa and Asia. Pitrè was also highly involved in education.