This is the final installment of the documentary dedicated to the Taviani brothers. It concludes as they do some location scouting in the marvelous old city of Montepulciano for Maraviglioso Boccaccio (Wondrous Boccaccio), a 2015 film. Vittorio Taviani died in 2015 at the age of 88, and Paolo is 89 and still making films.

Domenico can't wait to tell Franca about doing the show, but she won't take his calls, so he goes to see her in person.

It's not often that two people, let alone brothers, can work together in perfect harmony. But artists who have worked with the Taviani brothers say they came very close. Paolo and Vittoio knew what they wanted and they knew how they wanted to obtain it, down to the letter.

Domenico gets a big chance to sing for a celebrity, but it doesn't go the way he imagines. Palmieri keeps coming up with ideas for him, however.

The Taviani brothers reveal some tricks used during the filming of The Night of San Lorenzo and tell us how they managed to combine a particular sequence of the film with the cornerstone of Greek literature, The Iliad.

Domenico isn't very adept at keeping his emotions, including jealousy, in check, and at the dinner party, he allows them to get the better of him. But there are all kinds of people at that party, and they aren't all against him.

The Taviani brothers were adolescents during World War II, and talk about how tense it was growing up with the Germans and fascists so close by. A woman at a bar gives them directions to find one of the locations for filming The Night of the Shooting Stars.

Domenico keeps telling his story, fast-forwarding a bit, and focuses on when he got a new place to live with his friends helping him, and meeting up with Franca again.

We learn about the ideas behind the movies, Father and Master and The Night of the Shooting Stars, and how music played a major role in both movies.

Mimmo is discouraged about getting rejected at the radio station, and Riccardo gives him some criticism. Franca has a different opinion. The students get together to celebrate the end of their two-year program at the Experimental Center.

Music and sound have major roles in the movies of the Taviani brothers. Notably, the tarantella from Allonsanfàn, written by Ennio Morricone, was also used by Tarantino in one of his movies, and that's when it became famous.

Domenico gets a small role in a movie where he has to sing a child to sleep. He then tries his luck in a singing contest. He also seems to be getting some attention from some women...

Music plays an essential role in the films of the Taviani brothers. It's like having another actor. Composer Nicola Piovani knows something about this having worked with them on some of their movies. He also composed the soundtrack for the movie La Vita è Bella (Life is Beautiful) with Roberto Benigni.

De Sica is generous with Domenico. Later on, seated on the curb with his friend, Domenico borrows a guitar from a "blind" person nearby and sings a song he wrote.

Nanni Moretti tells about how he got to see Caesar Must Die before it was released. The composer, Giuliano Taviani talks about how he became interested in writing music for film, and how budget limits actually inspired him in writing the music for this movie.