The "Ninna nanna del chicco di caffè" [Coffee Bean Lullaby] was first performed at a musical festival devoted children's songs, the Zecchino d'Oro, in 1970. It is still sung today by many Italian mothers to lull their babies to sleep.

"Stella Stellina" [Star, little star) is a lullaby which repeats the names of farm animals and lulls children to sleep.

Giuditta sings a song about a beautiful turtle. The song tells about how the turtle ended up being such a slow animal.

Ettore Della Giovanna, noted Italian journalist (1912-2004), interviews Giuseppe Ungaretti, considered one of the greatest poets of his time, besides having been a writer and scholar.

After thanking his host for his kind words, Ungaretti begins talking about his life. He gives a lot of credit to young people, first of all.

Ungaretti talks about how he got his start. He frequented a café in Paris, where artists and poets would gather.

Ungaretti mentions 2 poets who attracted him as a youth: Mallarmé and Leopardi. He talks about the famous poem Alla primavera, o delle favole antiche by Leopardi but gets the title wrong. You can see the entire poem (in Italian) here.

This documentary is about Guido Crepax, the creator of a famous fumetto (comic strip) that came out in 1965. The main characters are Philip Rembrandt, an art critic, and Valentina Rosselli, a photojournalist.

Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.

In 1963 Crepax got his start in the world of comic books and two years later created his famous character, Valentina. The comic strip first appeared in the anthology comic book, "linus," founded by Giovanni Gandini, who had known Crepax as a kid.

Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.

Crepax's Valentina was an intriguing character because she openly reflected the sexual freedom of the late sixties and was attractive to both men and women. It was very "in" to be seen walking around with an issue of "Linus," an Italian comics magazine published in Italy beginning in 1965.

Valentina's success coincided with the beginnings of feminist movements in Italy. She depicted a woman who was strong and independent, who could do anything a man could do, a departure from the stereotype of the Italian housewife.

Among the pages of the comic strip, family members find familiar objects, drawings, and personal information from their everyday life. Although Valentina was a figment of Crepax's imagination, she was also an integral part of his family.

One of Crepax's techniques is to use the details of everyday life to build his stories and provide context. We even see the titles of the books in Valentina's bookcase.