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─ Videos: 1-13 of 13 Totaling 0 hours 44 minutes

Descriptions

Fumettology - TEX - Part 8

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

Ci sono storie come quella che parla del passato di Tex e altre che raccontanto di altri personaggi senza metterlo in ombra. Vediamo anche come nasce il formato del fumetto e come è cambiato nel corso del tempo.

Fumettology - Diabolik - Part 8

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

Le storie e i soggetti di Diabolik sono spesso frutto di un'idea di lettori o collaboratori. Non ci sono manuali su cosa è giusto o meno nello scrivere Diabolik. Sentiamo in che modo Diabolik è stato un fumetto di rottura.

Captions

Fumettology - TEX - Part 9

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

Sergio Cofferati, former mayor of Bologna, recounts his connection with Tex that began in 1952, when, as a child, the first comic strips read by his uncle deeply fascinated him. This video concludes the episode about Tex.
Matches in Transcript
Caption 46 [it]: Magnus ci ha lasciato un bellissimo Texone avendo lavorato per anni e anni
Caption 46 [en]: Magnus left us a very beautiful Texone having worked for years and years

Fumettology - TEX - Part 7

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

It was crucial for the different cartoonists to keep to the Tex standard. This meant getting the hats right. There was also an amusing homage on the part of Sergio Bonelli to one of Sergio Leone's "spaghetti westerns."
Matches in Transcript
Caption 34 [it]: Con Tex, eh, la... la... un autore, quelli che ci son stati finora
Caption 34 [en]: With Tex, uh, the... the... an author, those who have been there so far

Fumettology - TEX - Part 4

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

Gianluigi and Sergio Bonelli both wrote Tex stories, but they had different approaches, and their relationship was complex on a personal level. We learn about what inspired the images of the countryside where Tex and Carson would roam.
Matches in Transcript
Caption 31 [it]: il formato che ci ha permesso anche di scrivere cose corpose
Caption 31 [en]: the format that also allowed us to write substantial things

Fumettology - TEX - Part 3

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

It's fascinating to see where the idea of Tex Willer came from and how it evolved. We get to know the creators, Gianluigi Bonelli and Aurelio Galleppini (pen name Galep).
Matches in Transcript
Caption 51 [it]: eh... a, ehm, dire: "Questo nome non ci assicurerà un grande futuro".
Caption 51 [en]: uh... who said: "This name will not ensure a great future for us."

Fumettology - Diabolik - Part 10

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

This segment is about the film that was made of the Diabolik story. Not everyone was satisfied, including the Giussani sisters, but in those days, certain international standards had to be respected.
Matches in Transcript
Caption 22 [it]: però non era proprio il Diabolik che ci aspettavamo.
Caption 22 [en]: but he wasn't exactly the Diabolik we were expecting.

Fumettology - Diabolik - Part 9

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

Over time, Diabolik gained new status. It became cool. Nowadays, whether you read comic books or not, you know who Diabolik is.
Matches in Transcript
Caption 6 [it]: nel duemila e uno, la Jaguar ci ha chiesto
Caption 6 [en]: in two thousand and one, Jaguar asked us

Fumettology - Diabolik - Part 5

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

Over time, Diabolik's outfit and facemask are transformed. His nemesis is a police inspector with sound morals, an interesting past, and a fascinating love interest.
Matches in Transcript
Caption 13 [it]: Quello che ci vuole per Diabolik, insomma.
Caption 13 [en]: Just what Diabolik needs, in short.

Fumettology - Diabolik - Part 4

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

At the beginning, the Giussani sisters decided to hide their identities as women. Even so, it was not easy finding distribution. And there were other mysteries, as well, surrounding the early days of the iconic comic book, Diabolik.
Matches in Transcript
Caption 2 [it]: non ci fu un distributore che volle distribuire il fumetto.
Caption 2 [en]: there was no distributor who wanted to distribute the comic.

Fumettology - Diabolik - Part 3

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

The creators of Diabolik had commuters in mind. They wanted to create something engaging that one could read in the time of a commute, and which was pocket-sized. We also discover why the name Diabolik ends with a K.
Matches in Transcript
Caption 3 [it]: noi non ci immedesimiamo sino agli ambienti o la gente, eccetera;
Caption 3 [en]: we don't identify with the environments or the people, et cetera;

Fumettology - Diabolik - Part 2

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

Diabolik drives a Jaguar, but not an ordinary Jaguar. He is able to transform the car in order to facilitate escaping when the need arises. In a way, both Diabolik and his car wear masks and assume different identities.
Matches in Transcript
Caption 36 [it]: dove ci sono molte persone ricche e quindi che fare?
Caption 36 [en]: where there are many rich people and so, what to do?

PsicoVip - L'antenna - Ep 12

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

Italy

This time our little Minivip is transformed into an antenna technician, when trying to help a lady in distress. He also gets taken for a garden dwarf!
Matches in Transcript
Caption 48 [it]: Ah, sì, adesso ci penso io!
Caption 48 [en]: Oh, yes, I'll take care of that now!

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