Journalist Annalena Benini introduces us to different writers from different places in Italy, beginning with Rome, where she interviews Chiara Gamberale, a novelist.

The founder of the Jonian Dolphin Conservation describes one of its projects: Ketos, Euro-Mediterranean center of the sea and cetaceans, based in Taranto.

Pasolini talks about his first book of poetry and what he realized about his country when it was published in 1942. He explains why reviewers wouldn't touch it.

Camilla ventures up to Doctor Mattioli's office to see if the nurse is there and to ask him about hallucinations. At the police station, Piccolo is making an effort to make Ferrari like him.

If you have ever wondered how to make the traditional Easter bread called la Colomba (the dove), in the shape of a dove, the head of a Turin pastry shop invites us into his laboratory-kitchen where Federica gives us detailed instructions as she demonstrates the first phase. Key is il lievito madre (sourdough starter).

Palma and the team have just forty-eight hours to find Varicchio, the father of the two victims. Meanwhile, Palma has to buy furniture, Lojacono meets up with the DA, and Alex comes home late to an angry father.

Imma is having a relaxing moment at home, lost in thought, when the doorbell rings, and she gets curious. Valentina is at a cooking demonstration.

Armando tells us how the designs he is fascinated by come to be. It all has to do with billboards, and how they are marked up, torn, and over time, oxidized. The oxidation process is fascinating.

The two night workers take the cash and want to look around to take some measurements. Riccardo is shocked to see all the cash and asks Eleonora about it. Iolde is waiting for Michele, ready to have a glass of wine with him.

We get a glimpse of the spaces where a show takes shape, from sewing the costumes, to creating the sets and backdrops. When a model of a set arrives, the job of the team is to translate it into reality, into something big.

This documentary opens with some lines from a poem by Pier Paolo Pasolini, “10 giugno” from 1962. The famous filmmaker and poet talks about his life, beginning with his troubled relationship with his father.

Zia Clo contributes her wisdom about love as this romantic comedy comes to an end.

Livietta tells Camilla about the scene where Giulio used a word he shouldn't have and was scolded by Renzo. Camilla is still seeing the mouse. The coroner reconstructs the murder for Berardi.

Alex and Lojacono go to see Biagio's friend and colleague, Renato, and Renato's father, who had been Biagio's professor. Palma talks to his superiors, who want to get involved in the case to speed things along.

Imma tells Maddalena how she thinks things went and Donata opens up. But Imma still has questions about the case.