Pasolini talks about how artists are always controversial. They are a living protest. His protest involves language and national identity.

The detective's mother is not able to provide any useful information to the police. Renzo finds a small object near the front entrance of their apartment building. He also gets a postcard from New York, causing not a little stress to Camilla.

Imma is troubled, both by seeing Calogiuri again and finding a new dead body. She looks around the apartment and goes to see the seamstress who had found the body.

At the police station the team discusses the case and then they disperse. Lojacono sets up a date with Laura, Palma goes to his new place, Pisanelli goes to spy on his friend the monk, and Ottavia is working late at home.

Here's a popular song from the past, all about spring: Mattinata fiorentina (Florentine morning)

In this segment, describing chapters 3 - 6, we can imagine storms, volcanoes, oceans, and mountains in Armando's photographs.

Chiara Gamberale talks about how and where she writes, and how her life has changed now that she has a little girl.

The deepest part of the Mediterranean is located between Apulia and Greece. There, conditions are such that there is plenty of food for predators. With the "Researcher for a Day" program, the association gets precious help searching for cetaceans in these waters.

Pasolini talks about the Italian language and how it has been transformed over the years.

Camilla can't rest until she has reported her suspicions to Berardi, and goes down to the police station before school.

Federica demonstrates the final stages of making the Colomba. Once ready, she cuts it open to show us what it looks like on the inside, with its particular consistency.

Calogiuri has become a marshal. At Imma's house, the morning is going fairly normally, when a phone call from Diana comes. It can't be good.

At police headquarters, Guida is settling in to work on his puzzles, but someone with a familiar face walks in.

Federica continues working on the dough, adding various ingredients, and making sure that the dough "meshes" without breaking apart. Finally she will shape the dough into the form of a dove.

Armando begins describing the structure of his book, and talks about how he envisions a kind of journey, beginning in the far reaches of the universe, down to the tiny details of a flower.