Lojacono goes to Letizia's trattoria and tells her about the bad news about the witness. She tries to reassure him but also has a new customer to attend to. Francesco can't let Giorgia go and sleeps in the car in front of her house.

At the hotel where Aragona stays, he tries to find out who the new housekeeping person is. Down at the police station, there is news concerning the prostitute Varricchio says he spent time with the night of the murder.

Laura and Lojacono go to Laura's house and she begins cooking dinner. At his hotel, Aragona has a chance to see Irene, the new housemaid, in the dining room and can't take his eyes off her. Francesco brings Giorgia breakfast in bed. It's una graffa (a kind of doughnut).

Lojacono and Di Nardo go to see Biagio's ex-girlfriend to ask her one more question. She happens to remember something that gives them a new lead. They then go and talk to Renato, Biagio's friend and colleague.

Lojacono is confident he knows how the murder happened and is able to trick Renato into saying something he couldn't have heard on the news.

The case has been solved, one gets the feeling that if the murderer had been Varricchio, a common ex-convict, instead of a promising biologist, son of a prominent professor, the outcome would have been more palatable to the city and to the press.

Rome's Coppedè Quarter is the focus of the segment. Its eclectic style is difficult to characterize, but the narrator talks of the liberty style, which stems from the Liberty department store in London. In English, we know this style by the French term, Art Nouveau.

The segment shows us some interiors in Coppedè's dream-inspired complex.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

We visit the cemetery where the English poets are buried, and learn about the relationship between the Tiber River and the city of Rome.

Rome's many bridges are the focus of this video, including the Ponte Rotto, which dates back to ancient Rome. Only part of the Ponte Rotto is still standing and this is why it is called rotto or broken. Rivers are masculine in Italian, and ancient Roman statues portray River Gods as recumbent elderly men with long beards.

The tour draws to a close in Rome's rougher neighborhoods, those that were particularly fascinating to poet and filmmaker Pier Paolo Pasolini.

Manara and his team are still looking for the hit-and-run driver who killed the tramp, and investigating the vineyard owner's disappearance. Lara gives Manara a clue as to why she's still angry with him.