Giuseppe's colleagues want to get Giuseppe away from the hospital because he makes too much "trouble." Giorgio has a suggestion for that.

Margherita left a legacy of progress, both scientific and social. Perhaps she is still looking down on us, since an asteroid was named after her: 8558 Hack.

After a night of drinking and brawling, Michele is finishing a painting outside the workshop. Baron Cenci shows up and likes what he sees on the easel. The Baron's daughter is in the carriage and exchanges a few words with Michele.

Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.

Poor Roberto is back at the dentist's office and Ugo shows up once more. But this time, another person shows up to add to the chaos.

Camilla has another conversation with the "indestructible" guy and learns something new about the person who was following Dora before she died. Does she call Berardi with these new facts?

Elena explains her health problem to Giuseppe and they also clarify some personal things. Giuseppe then takes her to a special place in the city.

Rosalba lives in Pontedera and shows us her favorite park. There is a sculpture there that reminds her of a woman-cat.

Michele gives one of his works to the girl in the carriage. She is Beatrice Cenci and is chained to her seat. Later, Michele is seriously wounded while loading a piece of art onto a horse-drawn cart.

While Eva is having a fitting, Carolina shows up and makes a scene. As Eva is leaving the atelier, she and Nora have a conversation about love, and then Ugo and Nora have a lively discussion about the situation.

Camilla is about to call Berardi, but her cell phone is missing. At home, Renzo tries to call her and gets a strange voice on the other end of the line. This time, Renzo really wants to know the whole story from Camilla.

Elena seems charmed by the orphans and Giuseppe explains to her that love has many pathways. At home, it becomes clear that Nina and Giuseppe have grave financial difficulties. He won't give up seeing patients, but comes up with an idea.

Rosalba was a French teacher who has been retired for about a a year. She now spends her days writing stories and cultivating her passion for photography.

Caravaggio manages to sell one of his paintings and decides to leave d'Arpino's workshop. His friend finds him a room, and he starts working on a painting, now known as"Boy bitten by a lizard".

Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.