Luigi recounts that typically, during the night in the ward, there is anger in the air, and, indeed, Luigi has to deal with an angry stressed-out nurse.

As a result of historical research and restoration, it was discovered that the Resurrection had not been painted on the wall on which we now see it, but had been transported from another location, likely the external facade of the building, under the arengario of Borgo Sansepolcro.

Ricotta follows his teacher's advice and goes with Felice to a garage where they are hiring. They immediately see why it's important to know how to read and write. At school, Alberto does an experiment with his students and tries to get everyone involved.

Torre and Berardi go to see Nic Bianco's wife and obtain some new information about Cappellini. Camilla and Renzo go running and Camilla tries to get him to get some strange ideas out of his head.

Rita Levi Montalcini felt that imagination was the "secret sauce" of her research. And this encouraged her to turn to young people, who have plenty of imagination. She didn't hesitate to teach kids of junior high school age, which came as a surprise to some people, since she was a winner of the Nobel prize.

Max and Alice have a conversation and it is clear that she is trying to tell him something without coming out and saying it. Joy goes home and her mother asks her where she has been.

Luigi wants his tube removed in the worst way. Only Zamagna can answer his questions.

Had the Resurrection always been in the same spot or had it been moved? We are taken through the questions journalists and historians have to ask: where, when, and why. A researcher, after much research, finally found the answer.

Manzi, with Felice's help, eventually finds Ricotta and goes to see him. At school, Manzi makes waves with the director again. This time it regards little Giulia.

The DA wants results and is impatient. Berardi gives her some good reasons not to be so pessimistic. Torre and Ferrari show up with some fresh reports, and of course, Camilla shows up to tell Berardi about what Viola said.

We begin a new episode and this time the conversation at the breakfast table comes around to Maria's upcoming birthday. Lele still thinks of Maria as his little girl, so he is a bit surprised at her request.

Rita Levi Montalcini talks about when she won the Nobel Prize in 1986. Her niece, Piera, tells the story from her point of view, and Paola Tarassi, a research student of hers, tells about studying with her after she had already won the Nobel.

Joy meets up with Michelino, Max's little brother, the mascot of the group. Soon after, Ettore, the attorney, happens by.

Elena finally gets to visit Luigi in the hospital and they talk about the situation. She brings him a little video made by Anita, their daughter.

We take a look at the details of Piero's Resurrezione, details we might not notice by looking at the painting as a whole. Why is Christ not dressed in white? Is there something special about the countryside in the background? The answers are fascinating.