The artist takes to the fascinating world of the marble quarries where he chooses the blocks of marble which he will transform into works of art.

Claudio Capotondo talks about the tools and techniques that enable him to transform a block of marble or porphyry (a kind of igneous rock) into a work of art.

"Innercore" is the title, inspired by an article in the New York Times, of Claudio Capotondi's masterpiece. He talks about the significance of the sculpture, and about the special kind of stone he used to make it.

Claudio Capotondi discusses his marble and travertine sculpture entitled PortaRoma, created in 2000.

Martino (guitarist for the famous Italian singer Lorenzo Jovanotti) is having a rough time making his way in the pop music world and coming out of the shadows. Playing well isn't enough, and he isn't getting any help from the lighting crew or his own manager.

Martino was left at the train station, but he has to take the bus back to his hometown where he meets up with his friend. A song about wandering plays as he travels: "Vagabondo", sung by Nicola di Bari.

At the bar, Martino sees some old townsmen who tease him and tell him he should get a real job. One of the old guys mentions Fred Bongusto, an Italian singer known for a song "A Rotunda on the Sea". Martino and Peppino go off in a three-wheeled Ape (bee), a light commercial vehicle common all over Italy. Peppino cites Roberto Bolle, a famous Italian dancer, and Men and Women, a TV show for dating.

Martino finally goes home to his mother, and discovers that she watches the show Uomini e Donne (Men and Women) like everyone else, so she knows who Samantha is. Martino calls Laura, or tries to.

Martino and Peppino go to the Kursal, and as we could expect, finding Laura doesn't turn out so well. Martino has some hard thinking to do.

Martino goes back home and finds his mother in tears in front of the TV. He thinks it's about him. He goes to see Peppino and wakes him up to tell him about an idea he has had. Peppino is not alone.

Martino goes to Peppino's house to tell him his great idea. Peppino is kind of busy, though... The local priest spies Martino walking home and engages him in conversation, which is the last thing Martino wants.

Peppino and Martino visit the old house of Peppino's late grandfather. The house is falling apart, but Martino thinks it's perfect for his plan. Peppino wonders if Martino is on drugs...

Martino is settling in Peppino's grandfather's house, trying to make it inhabitable. Peppino does something he thinks is essential for the cause, but Martino is devastated and tells him to leave.

Peppino goes to see Martino and tells him the truth: that no one in town noticed he was gone. He then does Martino another favor, similar to smashing his cell phone.

Finally, Martino's disappearance becomes known to the townspeople. He is the subject of Don Julio's sermon, and is even mentioned in the Bari newspaper. Martino is absolutely galled by how he's described in the newspaper.