Domenico does his audition in front of the movie camera. Then he has to figure out how to make enough money to pay for his room and board. His new friend Riccardo gives him a couple of important tips.

Although their films weren't overtly political, the Taviani brothers saw and heard what was "in the air" in Italy, and somehow captured some the essence of it, without even being aware of it.

Domenico goes to the Experimental Center where there is a sea of candidates waiting their turns to go in and take the entrance exam. He meets a friendly guy named Riccardo Pazzaglia. He also meets a girl who is rather nervous and feeling insecure.

The political vision of the Taviani brothers comes through in their movies, especially Allonsanfàn. The choices they made in the story were simply a reflection of their thinking at the time, not because the movies themselves were affiliated with a particular political party.

Domenico gets on the pilgrimage bus to Rome and entertains his fellow passengers with a song. Don Antonio might have made different song choices... At the convent where the pilgrims are staying, Domenico makes friends with Father Mello.

This segment explains the title of the movie, Saint Michael Had a Rooster. The Taviani brothers, as well as the lead actor, talk about some aspects of the story, and Nanni Moretti comments on the camera technique.

In Sicily, at one time, horses would work in the sulfur mines and slowly become blind. The story is told through a Sicilian ballad, sung by Domenico Modugno. Mimì's mother sits with him as he prepared his bags, but she struggles to understand why he would want to leave. See complete lyrics (in Sicilian) here.

The Taviani brothers talk about how color and images can be more important than the story itself. There are clips from interviews with them when they were much younger, and the director of photography contributes some thoughts, as well. The movie featured in this segment is Good Morning, Babylon from 1987.

Domenico asks his cousin for some money to go to Rome, and goes to see the town priest to see if he can get a ride. But there is an emergency, and his priorities have to shift.

The directors talk about the important role the sea played in their films. Another element that played an important part was color, used to express feelings and situations.

Domenico tells his story to the audience, and to us, as he takes us back to when he was a youth. There was one movie theater in town, and he was always there.

The Taviani brothers talk about how their movie Under the Sign of Scorpio was received at the Venice film festival, and about their location scouting for the film.

This biopic about Domenico Modugno, one of the most beloved Italian pop singers of all time, best known for his hit song, Volare, begins with a hymn to life. Enjoy!

In nineteen sixty-nine they made a different kind of film, Under the Sign of Scorpio, and needed a special place to film it in. The whole cast, together with the directors, felt a particular sense of community both during and after the filming.

Actor Giulio Brogi talks about how his role in The Subversives mirrored his character at the time. The Taviani brothers describe how they found another actor in that film, young Lucio Dalla, the famous (and now deceased) singer-songwriter.