Federica demonstrates the final stages of making the Colomba. Once ready, she cuts it open to show us what it looks like on the inside, with its particular consistency.

Pasolini talks about the Italian language and how it has been transformed over the years.

Pasolini talks about how artists are always controversial. They are a living protest. His protest involves language and national identity.

Chiara tells about how she realized she knew how to read, which then led her to begin writing. She wrote her first "novel" in second grade. Where she grew up, on the outskirts of Rome, influence her writing to a significant degree.

Valentina has begun studying again, and talks to Bea after class. There is a cloud over Imma's office, as she and Calogiuri talk about the case.

Pasolini talks about how he moved from literature to cinema, and how his ideas about language changed. He talked about providing Italians with an opportunity to demonstrate racism, perhaps for the first time, with his movie, Accattone.

Imma goes to join Calogiuri in the area of Matera where homes and churches were built into the rock. There are i sassi (cave houses carved out of the rocks) and the lamioni, barrel-vaulted rooms leading to the cave houses. She is guided by Eustacchio, a kid she thinks should be in school. But he knows quite a bit about the history of the place.

In this segment, we're on the set with Pasolini as he shouts directions to Totò through his megaphone, and at the same time discusses the shoot with his crew. Naturally, authenticity often means people speak over each other, so it's hard to understand what is said. Then, Pasolini is asked by a journalist about his views on neorealism and here, the speech is clearer (and interesting), so don't give up!

For once, Valentina comes home in a good mood. Imma tells Pietro about her ex-classmate's murder. Don Mariano has a conversation with Samuele, a kid who seems to be in contact with Valentina, but who evidently has had some problems with the law.

Pasolini is asked what he thinks about progress and development. He is also asked about the inspiration he seems to have taken from subjects of the New Testament of the Bible.

Lombardi shows up for an informal meeting to talk about a building project. Meanwhile, Imma is driven to Grottole by Matarazzo who is going a bit too fast.

It's Pisa. A group of university students living in an apartment together have made a home video of the place, which is a mess, partly due to clogged sinks. Their stay is almost at its end and they're taking stock.

Pasolini doesn't want to talk about his enemies, but does talk about the people he loves the most: simple folk, who might not have even finished grade school. For his early films, he took inspiration from Antonio Gramsci.

Imma and Matarazzo go to the butcher shop in Grottole and find out some information from both the butcher and a woman seated there. Calogiuri has a little information from the coroner for Imma.

The group goes grocery shopping for their party, but on the way back, Ilaria wants to make a stop. Nobody knows why, or what she plans to do and the situation gets out of hand.