Calenzano felt the need to tell Imma and Calogiuri some details about his childhood in Switzerland so that they would be able to understand what had happened between him and Stella.

The Testarossa (literally "red head") is considered to be a supercar par excellence. For a brief period, it was the fastest production model in the world.

Over time, Diabolik gained new status. It became cool. Nowadays, whether you read comic books or not, you know who Diabolik is.

Marta and Andrea find themselves alone in his room, now empty, and they remember the time when they had been together. He tells her of his plans.

With Francesco Calenzano, whose nickname is Franco, Imma reminisces, in a friendly way, about the summers when they were younger and about the music they would listen to, notably, E ti vengo a cercare (I'll come looking for you).

Here are two cars symbolizing the dream of many Italians: The Ferrari Testarossa and the Autobianchi Bianchina. Let's discover their stories.

Some of the stories in Diabolik come from the outside, notably from readers. A few of them are recounted here. They often related to controversial topics in the news and in some cases, charges were pressed and copies of the comic book were seized and destroyed.

Andrea has a surprise for his housemates. Later, they party with a bunch of friends.

Imma clears up some more questions with Eufemia Abate about the person Stella was smiling at in the photograph.She has that person summoned for some questioning.

Diabolik isn't the work of one person, but rather the result of a group effort. Each contributor has a distinct role but they all have to come together, mindful of keeping the continuity from one episode to the next.

We look at a Maserati Khamsin, in almost mint condition, something extremely rare. In addition, the power steering and braking are very evolved for a car from the seventies, and can be considered on a par with modern cars.

Cioni and Vincenzo are having a rather inebriated conversation in the little swimming pool on the roof. In the house, the friends are proposing some strange ideas of using up some old hallucinogens that have sat there unused.

The artists talk about the process of designing the comics, and how the characters evolved in terms of design, over time, from designer to designer.

This segment looks at the intimate relationship between a collector and the car. Sometimes price doesn't matter.

The friends are taking care of the paraphenalia from their days at the theater. They muse on the past and the future.