Valentina has begun studying again, and talks to Bea after class. There is a cloud over Imma's office, as she and Calogiuri talk about the case.

Chiara tells about how she realized she knew how to read, which then led her to begin writing. She wrote her first "novel" in second grade. Where she grew up, on the outskirts of Rome, influence her writing to a significant degree.

Pasolini talks about how artists are always controversial. They are a living protest. His protest involves language and national identity.

Pasolini talks about the Italian language and how it has been transformed over the years.

Federica demonstrates the final stages of making the Colomba. Once ready, she cuts it open to show us what it looks like on the inside, with its particular consistency.

Calogiuri has become a marshal. At Imma's house, the morning is going fairly normally, when a phone call from Diana comes. It can't be good.

Pasolini talks about his first book of poetry and what he realized about his country when it was published in 1942. He explains why reviewers wouldn't touch it.

The two night workers take the cash and want to look around to take some measurements. Riccardo is shocked to see all the cash and asks Eleonora about it. Iolde is waiting for Michele, ready to have a glass of wine with him.

This documentary opens with some lines from a poem by Pier Paolo Pasolini, “10 giugno” from 1962. The famous filmmaker and poet talks about his life, beginning with his troubled relationship with his father.

Mario apologizes to the group and they decide to take up Michele's original solution, the night business. Iolde seems eager to develop romantic relations with Michele and comes on a little strong.

Having heard about the money from Chiara, Eleonora goes to see Michele to confront him on the issue. She feels he is leading Chiara astray.

Mario has invited his friends from the co-op to lunch, where he tries to work out a deal with them to clean up the property. Eleonora sees Chiara putting something in her top drawer and is curious.

Chiara goes to pick up Michele's jacket for him. At the Nest, there is an assembly to vote on Michele's proposal.

Michele's daughter brings him coffee and he asks her for a favor. Later, at the assembly, the subject of pollution comes up and there is plenty of arguing.

De Ponte is still intent on finding Caravaggio to arrest him. Fortunately, the artist has people who want to protect him and is taken by boat to Siracusa, where a friend takes him in.