Sara is home at dinner arguing with her mother who finds her unbearable. Sara's phone rings with an audio cue indicating the caller. Robbo and his sister Chiara are going home on the tram when, out the window, they see someone they think they recognize.

Barbara is practicing piano in the presence of her mother, who tries to encourage her. Little by little Barbara manages to focus on the music, and perhaps not only the music. Another pianist is playing the same piece in a music store. He might be there because he has no piano at home.

Matteo is at home with his uncle, doing a tricky jigsaw puzzle and ready for dinner. Even though it is clear to Matteo that his uncle is gay, his uncle is very uncomfortable talking about it. Matteo lets his uncle know that there is a girl he likes.

A colleague of Marioni's chides him for having treated Matteo as he did. He tries to justify his actions, and then goes to have a word with Rosario, a percussion student.

Marioni puts Matteo to the test, asking him to play first violin in the Brahms symphony, together with the entire orchestra. Later, Domenico tells him about someone who had crumbled under Marioni's harsh treatment.

Matteo is having a violin lesson when Marioni passes by in the hall and hears him. Matteo's lesson ends early and he is about to learn more about the orchestra conductor everyone thinks of as il bastardo (the bastard).

A teacher reads a passage from one of Shakespeare's sonnets and asks the class to interpret it. Matteo speaks up. Here is the original English: "Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering;
Resembling sire and child and happy mother,
Who, all in one, one pleasing note do sing:
Whose speechless song being many, seeming one,
Sings this to thee: 'Thou single wilt prove none."

Matteo arrives late for class and is told, to sit next to Sara who begins asking him questions. It turns out she is almost blind. After the lesson, Matteo meets some of his classmates.

Matteo makes his way to his uncle's apartment. Never mind that his uncle was supposed to come to the station to get him... They agree that there is no point in worrying Matteo's father with the truth.

We meet a few of the musicians attending the conservatory and the orchestra conductor, who is no-nonsense and stern.

A young man is departing by train and says goodbye to his two parents in different ways. In another scene, a little girl is going to school very reluctantly and her brother has to practically drag her there.

As Mimmo and Franca enjoy the beach and swimming in the clear water, he tells her about his childhood in the town they can see from where they are sitting.

The second part of Via dell’inferno (Hell Road/Road to Hell) where songwriter Davide Ravera creates an atmosphere of cold winter, tears, music, freedom, longing for home, and beginning again.

Alessio shows us how, now that we have the clefs, we can read music intuitively. And he explains why three different clefs are used in music.

Our music lessons continue with Alessio, who shows us the special tool for deciphering the notes on a pentagramma (staff). If the chiave (clef) changes, so do the names of the notes!