Franco Commisso, an emerging Italian artist, talks about his latest song "Mai, mai ormai," [Never, Never by Now]. The interview covers subjects like his early start in music, competing at age three, and his performing in Korea. Video provided by PA 74 Music.

Video on Romina Power’s comments at a conference of the Animalisti Italiani [Italian Association for the Rights of Animals]. Power voices her complete disapproval of the abuse of animals killed to make fur coats.

Anna tells us the tragic story of Cio-cio-san, protagonist of Madam Butterly, an opera by Giacomo Puccini, libretto by Giuseppe Giacosa and Luigi Illica. The opera was dedicated to the Queen of Italy, Elena di Montenegro.

Anna recounts the story of Tosca, an opera singer who is in love with the painter Cavaradossi. Puccini's opera was first performed in Rome in 1900.

Anna shares Giuseppe Verdi's tragic story of love, war and taboo in ancient Egypt.

What are the names of the notes in Italian? Alessio, a music teacher from Pisa, starts off his music lessons by explaining how these names originated in a Tuscan monastery in the 11th century.

Tiziano Ferro starts off his "eco-tour" sponsored by the Italian electric company, Enel. He suggests small ways in which each of us can save on energy.

Tiziano Ferro talks about his relationship with pen and paper. Familiarize yourself with sonno and sogno, both of which have to do with the night.

Our music lessons continue with Alessio, who shows us the special tool for deciphering the notes on a pentagramma (staff). If the chiave (clef) changes, so do the names of the notes!

Alessio shows us how, now that we have the clefs, we can read music intuitively. And he explains why three different clefs are used in music.

The second part of Via dell’inferno (Hell Road/Road to Hell) where songwriter Davide Ravera creates an atmosphere of cold winter, tears, music, freedom, longing for home, and beginning again.

As Mimmo and Franca enjoy the beach and swimming in the clear water, he tells her about his childhood in the town they can see from where they are sitting.

A young man is departing by train and says goodbye to his two parents in different ways. In another scene, a little girl is going to school very reluctantly and her brother has to practically drag her there.

We meet a few of the musicians attending the conservatory and the orchestra conductor, who is no-nonsense and stern.

Matteo makes his way to his uncle's apartment. Never mind that his uncle was supposed to come to the station to get him... They agree that there is no point in worrying Matteo's father with the truth.