In World War I, Italians who up until then had spoken their regional dialects, found themselves fighting side by side against a common enemy. But Mussolini was interested in fighting the internal enemy.

Mussolini forbade the use of dialects and the minority languages that were spoken in the regions bordering the countries to the north in favor of one language for all. Italians were bombarded by fascist propaganda and Mussolini's very frequent speeches.

Me Ne Frego [I don't give a damn], was one of the mottoes of Fascism, coming originally from the writings of Gabriele d'Annunzio and employed by storm troops during World War One as a war cry for courage and daring, with the meaning, "I don't mind dying for freedom." The motto gives the title to this documentary about the influences of Italian Fascism on the Italian language. It was produced by the Istituto Luce Cinecittà, with materials from the historical Luce archives, and narrates the obscure attempt by the Fascist regime to create a new and unique language, a new “Italian” that fit the dogma of the dictatorship.

Éric de Chassey, Director of the French Academy, details the mission of the institution.

The segment concentrates on two richly frescoed rooms that are set apart from the villa. Cardinal Ferdinando de' Medici used these secluded rooms for trysts.

We visit the French Academy's gallery devoted to plaster casts of antique sculptures and the large park, which was once used by Ferdinando de' Medici for hunting.

The segment focuses on Messalina, wife of the Emperor Claudius, who owned a villa on the site of Villa Medici. We catch a glimpse of tunnels and rooms beneath the villa, which were used by Ferdinando de' Medici to imprison Asian slaves when they weren't at work on a garden meant to evoke Mount Parnassus.

The tour of the Abruzzo Region concludes with sights near l'Aquila, the region's capital.

We get a look at the plaster casts of Roman and Greek statues in the French Academy's storage rooms, sculptures such as the Venus de Milo. Fellows have made use of these casts to draw inspiration for their own works.

The segment features the Oratory of San Pellegrino and the Church of St. Mary of the Assumption in Bominaco. These, together with the Marian church in nearby Fossa, are considered the finest examples of Medieval art and architecture in the Abruzzo Region.

A tour of Villa Medici's reception and private rooms. Ferdinando de' Medici hired the architect and sculptor Bartolomeo Ammannati to expand the villa, as well as other renowned Florentines artists to create fresco cycles exalting his life. We catch a glimpse of his frescoed south-facing apartment, which would have been used in the colder months, while the north-side suite was for warmer periods.

Abruzzo churches built by order of Saint Francis of Assisi (1226–1330) or dedicated to him, are featured in this segment.

The segment focuses on the reasons behind the founding of the French Academy by Louis XIV

The segment highlights two medieval churches near the ancient site of Alba Fucens. Both churches display ornamental facings made from pieces of colored marble that are intricately pieced together, what is known as Cosmatesque work.

The French government is privileged to have two of Rome's most beautiful properties: Palazzo Farnese, which they rent for a nominal fee and use as their embassy, and Villa Medici, which is the home of the French Academy, and was procured by Napoleon. The narrator speaks of how the land on which Villa Medici was built was highly appreciated by the ancient Romans.